Hi:
I'm in a 4-piece: two guitars and the rhythm section. All of us have mics but the drummer. One of the guitarists does most of the heavy lifting vocally, with me a close second. The other guitarist does background only.
The p.a. is supposed to be Invalid Link Removed. I say "supposed to be" because it does not seem to be up to the job.
The Bose has two inputs: one mic, one instrument. Lead vocalist goes into the Mic In and sounds fine. Other guitarist and I go into a small Mackie - kind of like Invalid Link Removed's grandfather. (I've had it for maybe 20 years.) Then from the mixer into the Instrument In on the Bose. OK.
We get signal and some volume. But not nearly enough. Not without distortion and/or feedback. Recently I read the manual for the Mackie cover to cover (still had it - packrat ftw) and I have looked at the specs of the Bose online. After tweaking and tweaking, it is looking like what we are expecting of a single tower is unrealistic. This is consistent with what I've read about this system here on TB. For a single singer-songwriter in a coffee shop, this would be an ideal solution. For a 4-piece rock band (think Dead meet Stones) not so much.
Let's assume for now that playing softly enough so that the vocals sit well in the mix is not an option.
My rehearsal space bass rig is kind of janky: P-bass into my pedal board into a GK MB200 micro head, which I use as a pre only. I run the GK's Line Out into a [This invalid link has been removed], and from there into my mismatched cabs: an Acoustic 115 and an Avatar B210 on top. It sounds great, probably because I biamp. (Lows to the 115; *not* because I think that 15s go lower but because it is the one with the least sentimental value.)
All of that background to say this: After last night's rehearsal I am ready to try something else. And what I think I want to try is from my mic into a small mixer into the Aux In of my GK head.
The reason I think this might work is the biamping. Only the Avatar will have to deal with my vox, and that is not the cab that is doing the heavy-duty bass work.
Is anybody else doing this?
I am wanting the smallest, least expensive mixer that has an XLR mic in. Like maybe Invalid Link Removed. I realize that Behringer has a very bad rep in the bass amp realm but: (1) it seems to have a better rep in other areas, and (2) I'm not trying to accomplish much more than be audible at rehearsals. We do usually provide the p.a. at our gigs, but us buying a second tower is not a conversation I am ready to start.
Probably there's nothing to do but try it. But has anybody tried this before? Is this a "thing"?
--Bomb
I'm in a 4-piece: two guitars and the rhythm section. All of us have mics but the drummer. One of the guitarists does most of the heavy lifting vocally, with me a close second. The other guitarist does background only.
The p.a. is supposed to be Invalid Link Removed. I say "supposed to be" because it does not seem to be up to the job.
The Bose has two inputs: one mic, one instrument. Lead vocalist goes into the Mic In and sounds fine. Other guitarist and I go into a small Mackie - kind of like Invalid Link Removed's grandfather. (I've had it for maybe 20 years.) Then from the mixer into the Instrument In on the Bose. OK.
We get signal and some volume. But not nearly enough. Not without distortion and/or feedback. Recently I read the manual for the Mackie cover to cover (still had it - packrat ftw) and I have looked at the specs of the Bose online. After tweaking and tweaking, it is looking like what we are expecting of a single tower is unrealistic. This is consistent with what I've read about this system here on TB. For a single singer-songwriter in a coffee shop, this would be an ideal solution. For a 4-piece rock band (think Dead meet Stones) not so much.
Let's assume for now that playing softly enough so that the vocals sit well in the mix is not an option.
My rehearsal space bass rig is kind of janky: P-bass into my pedal board into a GK MB200 micro head, which I use as a pre only. I run the GK's Line Out into a [This invalid link has been removed], and from there into my mismatched cabs: an Acoustic 115 and an Avatar B210 on top. It sounds great, probably because I biamp. (Lows to the 115; *not* because I think that 15s go lower but because it is the one with the least sentimental value.)
All of that background to say this: After last night's rehearsal I am ready to try something else. And what I think I want to try is from my mic into a small mixer into the Aux In of my GK head.
The reason I think this might work is the biamping. Only the Avatar will have to deal with my vox, and that is not the cab that is doing the heavy-duty bass work.
Is anybody else doing this?
I am wanting the smallest, least expensive mixer that has an XLR mic in. Like maybe Invalid Link Removed. I realize that Behringer has a very bad rep in the bass amp realm but: (1) it seems to have a better rep in other areas, and (2) I'm not trying to accomplish much more than be audible at rehearsals. We do usually provide the p.a. at our gigs, but us buying a second tower is not a conversation I am ready to start.
Probably there's nothing to do but try it. But has anybody tried this before? Is this a "thing"?
--Bomb


