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NBD: EBMM Stingray Classic (2010) in Coral Red

ArteK

Supporting Member
May 13, 2017
712
1,334
Boston area (Merrimack Valley)
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I’ve never had a Stingray, but test drove a couple back in the 1980’s. I always felt they were big and clunky and expensive back then and never got one. I was playing blues and a Fender Jazz seemed a much more suitable choice at the time.

However I always was quite impressed with the big sound Tony Levin used to get when playing his Stingray with Peter Gabriel, so that’s what I was after with this bass.

This one is a 2010 Classic Stingray (2-band EQ, single humbucker pickup, active circuitry, vintage neck specs (7.25” radius, small frets, 1 5/8” nut width), beautified flamed all maple fingerboard/neck that feels just like one of my trusty Precision necks), with a red tort pickguard. It is in like new condition; aside from the usual expected pickguard wear, I can’t find a blemish on it. It was advertised in mint condition and that’s how it showed up.

I put a set of Elixir nickel-plated steel medium light (105-45) strings on it (also a new experience for me), and played it unplugged, and the first impression was that this was the most naturally resonant bass I’d ever played (and it wasn’t close).

I then played it through a TC Electronics BQ500 head and a single Avatar SB126 cabinet (1x12 + 1x6 mid speaker), which is my main gigging rig. What a monstrous sound. Low end punch like no other bass I’ve ever played and it just feels so wonderful. It’s a heavy beast (over 10 pounds), but doesn’t feel that onerous. I’m sure the weight helps provide the great tone and power.

I tried it with the amp input set to Active (attenuator on) and the volume wasn’t what I’d like, so I switched switched the amp back to the default Passive (attenuator off) setting and it just roared. I sensed no preamp distortion, so that’s where I left it. It certainly seems like that’s the setting it wants to use. It really is too quiet with the attenuator on.

My wife said , “You bought a pink bass?!” and she might be right, although I see more red/orange. The price was great, so the Coral Red color (OK, it does look a fair bit like pink) might have had something to do with that.) I saw some pictures of similar basses with white pick guards and pickups, and I liked that look. My son pointed out that while he already liked the color anyway, having the white for contrast might bring out the red in the color a bit more. I ordered a white pickguard from WD Music and a white pickup cover from EBMM to try that alternate look (still waiting for the pickup cover). so we’ll see if the white contrast makes it look more red/orange than pink. Either way I’m fine with the color because I’m so happy with how it plays and sounds.
 
Coral is a good name for that color.
Is it red-orange or orange-red?
I'm saying orange-red, red with a slight orange touch.
When it comes to a red color that tends toward pink, think Fiesta Red. I've seen several that have gone salmon pink over the years.
(By the way, that looks great!)
 
Congratulations - that’s a great bass. I have one with the white pickguard and white pick up cover - it came like that when I bought it new in 2010 - at the time you could choose pick up cover, pickguard and between maple or rosewood board.

It is a very close match to fiesta red, as shown in this comparison picture with a very early fiesta red Precision. It’s pink in some lights, bright red in others and changes towards an orangey red in others. The prototype classics in red were actually fiesta red (@liverbird has one).

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Rad StingRay man!

I've played Ray's for decades; yes I use them in the passive/unpadded input. While they are active, they aren't high output active...a bass like a Spector is high output and requires the padded inputs so I reserve it for those things.

But welcome to not only the Musicman club, but the Classic club as well.

BTW, I do have a pink one.
 

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