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In my experience, the GHS Precision Flats; the LaBella DTF's; and the DR Legends sound great right out of the pack. Never used the TI's, but the Chromes take WAY too long to "break in". Once they DO, they sound great, but I don't have the patience to wait...That's not a break in period. That's a wear out period LoL. Not a criticism though.. read on.
Granted, they probably DO sound way better after being worn out like that. I think that's the trick with some flats... they don't sound good until they've been worn out.... like when rounds typically die.... and then after being worn out they last forever and sound the same, which is pretty magical if you have that sorta patience.
From everything I've read, you need to order the Medium Scale strings. I'm not sure who all makes the Medium Scale flats, but I know that LaBella and several others do.These have been on my radar for way too long and especially since I put a Novak bisonic in a pbass.
Congratulations! It's beautiful. I have always loved the grain on these.
For owners, for strings - do you just order the regular length LaBellas or D'addarios? I love the 760fls.
I use La Bella black Tapewounds on a few of my basses! Love them!Great to have TB back online! Looks like it somehow lost one of the original photos during the downtime. But that's okay. Here are a couple pics after I put on the Black Nylon Tapewounds and conditioned the rosewood. Those tapewounds made a huge difference for the better!
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Yeah, these are the D'Addarios. I've had them on several of my basses in the past and loved them on everything I put them on. This one is no exception!I use La Bella black Tapewounds on a few of my basses! Love them!
Awesome!Yeah, these are the D'Addarios. I've had them on several of my basses in the past and loved them on everything I put them on. This one is no exception!
Okay, seems like I have some playing around to do. Thanks for the info.You can blend them, it's just that if you turn one of them down too much, you'll lose all volume. Where that line is will become easy to find.
I generally use both pickups with one of them rolled off a little, just like I do with my Fender Jazzes. With the neck pickup turned down slightly and played back by the bridge pickup, I get a punchy mid-heavy sound. Slightly favoring the neck pickup and played close(r) to the neck, there's more low end and a full, warm tone. The neck pickup soloed also works well for some things. I don't often use the bridge pickup by itself. That's my basic approach with lots of room for slight tweaking of the knobs in search of the desired tone.
I’ve also tried TIs - twice. They’re not for me. They feel like ice picks under my fingertips.I tried TI's twice, found the sound kind of dull but the worst part was that they felt like cooked spaghetti to me while playing and it's not the gauge, it's the construction, I have .096 La Bellas on my TF fretless and they play nice and sound good and they're lighter than the TI's.
Just got a new Starfire II, and have a question for the brain trust: it seems I only get a decent signal when the Master volume is all the way up — if I roll it back even a bit (to 8 or so) it basically disappears. Same with the individual pickup volume knobs. Is this typical, or sign of a problem? Needless to say, it makes mixing and matching the two pickups pretty tough. Thx.
Yes that sounds odd. Maybe a weak signal somewhere along the line, could be your amp too, is there a gain cut, like as for an active bass, turned on? Make sure the gain knob on the amp is up enough too.Just got a new Starfire II, and have a question for the brain trust: it seems I only get a decent signal when the Master volume is all the way up — if I roll it back even a bit (to 8 or so) it basically disappears. Same with the individual pickup volume knobs. Is this typical, or sign of a problem? Needless to say, it makes mixing and matching the two pickups pretty tough. Thx.