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NBD - Squier CV Late 50's P bass

Hello all!

Recently purchased one of the new Squier Classic Vibe "Late 50's" P basses online. Took a little bit of a chance, as they're a fairly new model and don't have any real reviews as of yet from what I could tell! The bass arrived today, and I thought I'd come on here to give you my first look conclusions.



Straight out of the box, it was immediately apparent how well this bass is made. I'm not even joking, Squier have knocked the ball out of the park. The CV line has always received high praise for quality, in particular the necks (more on that later) but I was more than a little impressed. The white colour is hard to photograph, but looks sublime in person. It's slightly transparent, and I've seen a couple of people compare it to Mary Kay White. I can't make the comparison myself having never owned or seen a MKW in person but this bass is certainly a looker. The gold anodised aluminium pickguard is to a high standard and compliments the colour scheme very well, although I'll probably pick up a black guard at some point incase the need for a change strikes. The glossy neck has a beautiful vintage tint to it, not overbearingly orange like a few other "vintage style" basses I've seen and not pale, fresh maple either. Just nicely in the middle, and the finish itself is of outstanding quality. Not a blemish, ugly mark or any other concerning sight on either the body or the neck. The hardware also is well made, and feels quality. The tuners move freely but with just enough resistance to feel sturdy. The bridge also is well made, and I was pleasantly surprised to see threaded saddles on there too!



Played acoustically, the bass is surprisingly resonant and loud. Always a good sign in my opinion. Plugged in, this bass speaks with typical P bass authority. Very pleasing indeed, and it just has that quality that separates a good P from the rest. Total Fender tones through and through, courtesy of its "Big F" designed alnico split pickup. I can already tell it'll be a joy to play live, and no doubt will sit in a mix beautifully like only a well made P bass can. On the note of playing live, this particular bass is definitely on the sturdier side of things. I don't have an exact weight, but this is certainly not a flyweight by any means. Not hugely heavy either mind, but being a P it balances well on a wide strap and feels perfectly comfortable.



Now, in my eyes there is only one minor niggle with this bass. The Neck. It looks absolutely beautiful, from what I can see its a 1 piece maple job with a skunk stripe. It even FEELS great, as I've so often heard of the CV basses. The issue here lies solely with Squier's blurb. They have advertised the bass as having a 1.685" (42.8mm) nut width, which would be in the ballpark of the wider but you would expect of a 50's precision. However, upon checking this with a set of digital calipers the nut width is definitely the standard modern 41.3. not exactly a deal breaker to somebody who wants a great playing bass with some vintage styling (me), just a word of warning to the players looking for a cheap alternative to an AVRI, or the real deal. There seemed to be some confusion when the bass first arrived over where the truss rod would adjust from but I can confidently say it's a headstock adjust.



All in all, despite Squiers confusion over what many people would say is a make or break measurement and possibly even a/the deciding factor in buying a bass this is a brilliant bass at any price point. Plays outstandingly, looks absolutely beautiful and sounds every bit as good as you'd expect a good P to sound. They've made a good one here and if you're looking into these, you will not be disappointed!
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Good lookin' bass. Classic color combo.

IF I ever win the stinkin' lotto, I'm getting a Fender CS Precision collection in every custom color.
Thanks! It was between this and a nice sunburst but after seeing this in person I'm 100% convinced I made a good choice. Although, for the money I'd be lying if I said I'm not tempted to pick up the sunburst too... :drool:
 
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Thanks! It was between this and a nice sunburst but after seeing this in person I'm 100% convinced I made a good choice. Although, for the money I'd be lying if I said I'm not tempted to pick up the sunburst too... :drool:
That washed white finish with the gold PG is as classic as it gets. Excellent visually for any onstage situation.

It's a looker.
 
That washed white finish with the gold PG is as classic as it gets. Excellent visually for any onstage situation.

It's a looker.
Totally agree with you in that front. I'll admit, I've heard some doubts as to the kind of body wood they're using and I did have my reservations over fears of unsightly "green" grain under the white but honestly, the finish just looks even better in person and I cannot fault it at all. It's a subtle effect, but has paid off massively in my opinion!
 
Love it.is there any particular difference in sound between the 50s and 60s CV Precision Bass?
Unfortunately I couldn't really comment on this, I've never owned a CV 60's P or tried one for any extended period of time to make a comparison. All I know is that this particular bass sounds fantastic! Any real difference between them would be down to the pickup if it's different, maybe a little difference from fretboard wood too. But I'd be willing to wager the 60s P sounds great too! :)
 
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Unfortunately I couldn't really comment on this, I've never owned a CV 60's P or tried one for any extended period of time to make a comparison. All I know is that this particular bass sounds fantastic! Any real difference between them would be down to the pickup if it's different, maybe a little difference from fretboard wood too. But I'd be willing to wager the 60s P sounds great too! :)
I actually found the answer on here but I'm at work so couldn't delete my question.
 
I can't take this anymore.
If "this" means trying to fight off the urge to impulsively buy one of these...

...DO IT.

It's rare I pass through the Honeymoon period unscathed with any bass, but this little Squier honestly makes me grin every single time I pick it up. I even went and bought a brand new Seymour Duncan SPB-4 Steve Harris signature to drop into it...

...And immediately sent it back after my first serious playing session through an amp. Didn't even install it. This thing sounds utterly amazing stock and I don't see any reason to change anything. I'm planning the sunburst version very soon too, to be strung with flats... Ooft :drool:
 
White blonde and gold anodized pickguard is like matter and anti-matter coming together.
Absolutely. It's a really nice combination actually! I've heard of some folk returning theirs due to pretty unsightly grain but I'm lucky enough that the grain on mine is absolutely gorgeous! Quite subtle, to be honest I think it looks better than a lot of more expensive basses I've owned over the years, and certainly puts many of them to shame in terms of playability!
 
Hello all!

Recently purchased one of the new Squier Classic Vibe "Late 50's" P basses online. Took a little bit of a chance, as they're a fairly new model and don't have any real reviews as of yet from what I could tell! The bass arrived today, and I thought I'd come on here to give you my first look conclusions.



Straight out of the box, it was immediately apparent how well this bass is made. I'm not even joking, Squier have knocked the ball out of the park. The CV line has always received high praise for quality, in particular the necks (more on that later) but I was more than a little impressed. The white colour is hard to photograph, but looks sublime in person. It's slightly transparent, and I've seen a couple of people compare it to Mary Kay White. I can't make the comparison myself having never owned or seen a MKW in person but this bass is certainly a looker. The gold anodised aluminium pickguard is to a high standard and compliments the colour scheme very well, although I'll probably pick up a black guard at some point incase the need for a change strikes. The glossy neck has a beautiful vintage tint to it, not overbearingly orange like a few other "vintage style" basses I've seen and not pale, fresh maple either. Just nicely in the middle, and the finish itself is of outstanding quality. Not a blemish, ugly mark or any other concerning sight on either the body or the neck. The hardware also is well made, and feels quality. The tuners move freely but with just enough resistance to feel sturdy. The bridge also is well made, and I was pleasantly surprised to see threaded saddles on there too!



Played acoustically, the bass is surprisingly resonant and loud. Always a good sign in my opinion. Plugged in, this bass speaks with typical P bass authority. Very pleasing indeed, and it just has that quality that separates a good P from the rest. Total Fender tones through and through, courtesy of its "Big F" designed alnico split pickup. I can already tell it'll be a joy to play live, and no doubt will sit in a mix beautifully like only a well made P bass can. On the note of playing live, this particular bass is definitely on the sturdier side of things. I don't have an exact weight, but this is certainly not a flyweight by any means. Not hugely heavy either mind, but being a P it balances well on a wide strap and feels perfectly comfortable.



Now, in my eyes there is only one minor niggle with this bass. The Neck. It looks absolutely beautiful, from what I can see its a 1 piece maple job with a skunk stripe. It even FEELS great, as I've so often heard of the CV basses. The issue here lies solely with Squier's blurb. They have advertised the bass as having a 1.685" (42.8mm) nut width, which would be in the ballpark of the wider but you would expect of a 50's precision. However, upon checking this with a set of digital calipers the nut width is definitely the standard modern 41.3. not exactly a deal breaker to somebody who wants a great playing bass with some vintage styling (me), just a word of warning to the players looking for a cheap alternative to an AVRI, or the real deal. There seemed to be some confusion when the bass first arrived over where the truss rod would adjust from but I can confidently say it's a headstock adjust.



All in all, despite Squiers confusion over what many people would say is a make or break measurement and possibly even a/the deciding factor in buying a bass this is a brilliant bass at any price point. Plays outstandingly, looks absolutely beautiful and sounds every bit as good as you'd expect a good P to sound. They've made a good one here and if you're looking into these, you will not be disappointed! View attachment 4471191 View attachment 4471192 View attachment 4471194 View attachment 4471195 View attachment 4471198 View attachment 4471200

those squires made in the samick factory are just flawless!

how heavy is it ? I was thinking about ordering a paranormal 54, but your bass is simply stunning !
 
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