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Need advice best portable, small amp?

Yeah that's what I was thinking .. given the size, price, weight and futureproofness (Is that a word? :p) of the GK under these circumstances and in comparison to the other choices even if her situation were to change she would have more wiggle room.

The BA-108 @ $99 is interestingly enough 27lbs .. but I guess the smaller footprint would be a good thing .. the BA-110 is 32lbs ... so if money really is an issue I'd still go with the 110 @ $179 over the 108 since the 110 has a balanced line out and a little more heft.

I have found that for me anyway .. very often spending a little more up front keeps me from spending more than that later.

Good luck in your choosing.
 
Jill, Jimmy's probably right that the Ampeg BA108 could cover the gig as you've described it. I recently built a 1x8 cab to use with my Genz shuttle head for practice and even though it is limited to about 25w, it works amazingly well. It is just about perfect in a small room accompanying a singer and an acoustic guitar. My only complaint about the Ampeg- and this goes for the SWRs and Line6's as well, the cube-like dimensions make them somewhat uncomfortable to carry one-handed. A box with narrower depth on the handle side makes this much easier, which is why if it were me, I'd seriously consider the 11.5" deep 23 pound Carvin MB110 for $299.
 
I use a Fender Rumble 15 for practicing in my apartment. It's small, light, portable, has a great tone and good volume. Great amp to not piss the neighbors off with. Got mine off a guy on the local Craigslist for $35
 
Thanks for all the great responses. It would be nice if I could try them all with my bass. One other question, than. What "features" would you say are priorities? I definitely want an input for my ipod. And a headphone-out. Do some of these amps NOT have these features? I'm trying to compare them all. What about tone/EQ and such? Is there something that you would say is a "must" for a bass guitar amp? (For example I have no idea what a "balanced line out" is.) Do all of these amps have "everything I need" to take it and play out with? (not just for using as a practice amp). I'm assuming I'll use this amp mostly to play out with, in small-ish venues. If it's a large venue or outdoors, we use a large PA system and I won't need my own amp.

I guess while I'm on the subject, and with all of your great comments and advice and experience, I should find a very good cable. I have some good cables, but is a bass cable different? Suggestions?
Jill
 
A GREAT deal right now is a 100w Acoustic B100 for $149 (shipped,) the SAME price as their 20w model at Musician's Friend! Should be plenty of power for your needs. And (IMHO) ignore some of the posts here..the Acoustic tone is top-drawer. In fact, the 20w (B20 - http://www.musiciansfriend.com/bass/acoustic-b20-1x12-bass-combo-amplifier/481622000000000) might be good enough for the situation you described. But, for the same money and a little more weight I'd go with the 100w. Very adjustable EQ lets you dial in many different tones. Also has jacks for headphones and plugging in an MP3 player. Also has outputs to plug it into more speakers if needed. More than enough options and controls for your needs.

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Thanks for all the great responses. It would be nice if I could try them all with my bass. One other question, than. What "features" would you say are priorities? I definitely want an input for my ipod. And a headphone-out. Do some of these amps NOT have these features? I'm trying to compare them all. What about tone/EQ and such? Is there something that you would say is a "must" for a bass guitar amp? (For example I have no idea what a "balanced line out" is.) Do all of these amps have "everything I need" to take it and play out with? (not just for using as a practice amp). I'm assuming I'll use this amp mostly to play out with, in small-ish venues. If it's a large venue or outdoors, we use a large PA system and I won't need my own amp.

I guess while I'm on the subject, and with all of your great comments and advice and experience, I should find a very good cable. I have some good cables, but is a bass cable different? Suggestions?
Jill
I don't think you'll need a balanced line out if you're just playing small rooms acoustically. That's for bands who need to run their amps into the PA. I don't see that happening with you so you could likely skip it. A lot of practice amps do have inputs for ipod and headphones...some don't. The BA108 is one that does. I never tried it but it does have it.

And as for cables, just get a decent $15 20 footer and you're set. You don't need a special "bass" cable, you don't need to spend $50 on a cable...just get a decent $15 one and you're fine. I don't think I've spent more than that on a 20 ft cable in my life.
 
I don't think you'll need a balanced line out if you're just playing small rooms acoustically. That's for bands who need to run their amps into the PA. I don't see that happening with you so you could likely skip it. A lot of practice amps do have inputs for ipod and headphones...some don't. The BA108 is one that does. I never tried it but it does have it.

And as for cables, just get a decent $15 20 footer and you're set. You don't need a special "bass" cable, you don't need to spend $50 on a cable...just get a decent $15 one and you're fine. I don't think I've spent more than that on a 20 ft cable in my life.

+1 on cables. I've had very few cable failures in my life. Never the less, I always carry a few in my gig bag. 10-15$ is a fair price per cable. Under 10 though it is either a really good deal or a really cheap cable.

On the DI, it isn't just for PA. I did a little live studio "concert" recently on a radio show and the DI on my Genz Shuttle 6 came in very handy for that, as the studio only had one instrument DI available (which was used by the acoustic / electric guitar). I was sure glad I had it with me.

Jill, as to your question on the Balanced LIne Out (or DI) , it is a "direct input" jack for connecting your signal directly to the mixer (PA or otherwise) without having to mic the cabinet. It uses a balanced xlr mic cable to connect you directly with the right signal level for the cleanest sound. Having this on your amp instead of going direct into the board (via a stand alone DI or a board with an instrument level input) allows you to have a monitor next to you which you are familiar with and which you have instant control over (without affecting the audience's mix in the PA). That said, you can certainly live without it and it isn't a deal breaker at any price level, more of a "nice to have" once in a while. Many have a pre/post switch which determines if your signal is direct from your instrument with no EQ or after your EQ section on your amp.

As for the aux in and headphone out, here's a quick run down of a few of the recommendations:

Model___________Headphone_________Aux In
Acoustic B100..........No......................No
Ampeg BA-108.........Yes.....................Yes
Ampeg BA-110.........Yes.....................Yes
Carvin MB10............Yes......................No
GK MB112...............Yes.....................Yes
Line6 Studio110.......Yes.....................Yes
SWR LA110.............Yes.....................Yes

BTW, I use my aux in regularly for practice. It is a very handy feature. The headphone jack obviously makes it a cinch to practice any time day or night.
 
Best affordable light weight amps IMHO are the Ampeg BA series. BA110 is 35w with a 110 that costs $180, and BA112 is 50w with a 112 that costs $279. There is also the BA108, which is 25w with a 108 that costs $100, which I use quite often, but for a little more volume insurance, it might be worth it to check out the BA110 and BA112 as well.

Jimmy endorsing Ampeg? NO WAY! HA!. Love ya Jimmy.

I woke up a few weeks ago and realized I had no real portable jam\practice amp. Plenty of stacks, but no little mo. I checked out the Fender Rumble (multiple wattages), the Ampeg BA112, the Acoustic B20 at CG. I liked them all, but then one of the sales guys told me I had to check out the Line 6 Lowdown 110. They had a used one for $189.00. I got it for $150.00. I love it. The direct out for recording is sweet, and man is this damn thing loud for it's size, but very clear as well.
 
I am interested in getting a ba series ampeg bass amp combo we are acoustic band with 2 acoustic guitars and a cajon I am using an Eastwood classic 4 bass we will be Playing small venues bars restaurants etc we also purchased a used pa system,I would like to know will the ba 110 or 112 be suffice for this application for playing out.
 
TowerLadder3 said:
I am interested in getting a ba series ampeg bass amp combo we are acoustic band with 2 acoustic guitars and a cajon I am using an Eastwood classic 4 bass we will be Playing small venues bars restaurants etc we also purchased a used pa system,I would like to know will the ba 110 or 112 be suffice for this application for playing out.

For that band you might be ok with the BA112. The 115 would be better. There's a bar I've played at several times that has a BA112 for a house amp, WON'T let you use anything else. It sucks. You have to drive it into clipping to hear yourself over the drums, which are behind a plexiglass shield. Sounds terrible. Won't reproduce the fundamental of a D on the B string. The cabinet is just too small.