I've come across a 1965 Fender Jazz bass in a small Canadian town, and have a few questions about it, as I am considering purchasing it.
The dealer does not have a firm price on the instrument, but is looking for $14 - $20k CDN. I'm hoping that someone has some good advice in terms of what makes the instrument as valuable as it is, and if this is indeed a good buy.
The serial number is 109221
It is Olympic White w/ matching headstock
Condition is Excellent
There is some slight separation at the neck joint, on the side of the joint, where one could probably fit 2-3 credit cards in-between. Also, the neck does not fully cover the bottom of the joint. (I'll try to post a picture of it a.s.a.p)
My first question is whether or not Olympic White is considered a "rare color". As I'm sure you all know, this will significantly impact the value of the instrument. I am unaware as to the "rare-ness" factor of Olympic White w/ matching headstock on a 1965.
Second, is a dis-jointed or non-fitting neck joint something that will bite me in the rear a short time down the road? Also, is this something that may signify a non-original neck?
With the few details that I've been able to give, I hope that you guys can give me some insight into the value of this instrument, and what would constitute a reasonable offer for me to put in.
Thanks in advance!
-Justin
The dealer does not have a firm price on the instrument, but is looking for $14 - $20k CDN. I'm hoping that someone has some good advice in terms of what makes the instrument as valuable as it is, and if this is indeed a good buy.
The serial number is 109221
It is Olympic White w/ matching headstock
Condition is Excellent
There is some slight separation at the neck joint, on the side of the joint, where one could probably fit 2-3 credit cards in-between. Also, the neck does not fully cover the bottom of the joint. (I'll try to post a picture of it a.s.a.p)
My first question is whether or not Olympic White is considered a "rare color". As I'm sure you all know, this will significantly impact the value of the instrument. I am unaware as to the "rare-ness" factor of Olympic White w/ matching headstock on a 1965.
Second, is a dis-jointed or non-fitting neck joint something that will bite me in the rear a short time down the road? Also, is this something that may signify a non-original neck?
With the few details that I've been able to give, I hope that you guys can give me some insight into the value of this instrument, and what would constitute a reasonable offer for me to put in.
Thanks in advance!
-Justin