If you can get a used american vintage reissue, i would go with that. My 63 sounds and plays amazing. I have a custom shop and i think they are definitely custom shop quality.
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When it comes to PBs, you always want to try before you buy. No two are exactly the same in terms of tone or feel. Last time I shopped for a Fender bass, I auditioned about 15 before I found the one that spoke to me.
Not really a Fender slayer imho as it is built by Fender...more like Fender's kick ass little brother.This +++1 and I ended up with a Vintage Modified Indonesian P with Duncan designed PU's.....a cheap lightweight Fender slayer.
Steal a used Stingray HH for 1000 or less. It's criminal. It will sound like a P, be better built than Fender or import Lakland according to reports and will hold value (used) better than a Carvin. If you don't realize it's awesomeness then sell it for what you paid.
??? The LB-100 does not sound enough like a P bass? The two I had sounded very much like my Fender American P bass.
I voted for the Fender; especially because you seem to be leaning towards it more than the others. Is the truss rod access at the headstock or heel? If it's at the heel, this mod can be done relatively inexpensively and it's the best and easiest way to adjust a truss rod.
This is mine, a Fender Classic Series 50's P Bass (MIM)
That's one way to do it, and definitely a solid approach... I typically either use MIA PGs that are already notched for truss access, or dremel one in myself... I also dremel'd in a small access channel on the 50's body in my pic, then use either a modified allen wrench or a paint can opener - depending on which style of truss rod nut I'm dealing with - either one is extremely quick and easy to adjust after making these easy preparations... I really like the wheel setup, and have them on my EBMM basses - but don't have any difficulty with traditional Fender adjustment nuts, either...
I voted for the Fender; especially because you seem to be leaning towards it more than the others. Is the truss rod access at the headstock or heel? If it's at the heel, this mod can be done relatively inexpensively and it's the best and easiest way to adjust a truss rod.
This is mine, a Fender Classic Series 50's P Bass (MIM)
True. But $1,500 for a P-Bass is a little steep for me!
I've owned the Nate Mendel. It was an ok bass. The guy left it sitting up for a good while so the neck was really warped to the point where even adjusting the truss rod would not do anything. Just was a nightmare to play. What don't you like about the roger waters sig bass?As a Fender guy in this instance I voted Lakland ... very fat and warm sound and playable neck ... I personally don't like too much the Roger Waters model ... different story if the poll referred to the Nate Mendel model instead ...
How did you get the wheel on the truss rod? Looks great!I voted for the Fender; especially because you seem to be leaning towards it more than the others. Is the truss rod access at the headstock or heel? If it's at the heel, this mod can be done relatively inexpensively and it's the best and easiest way to adjust a truss rod.
This is mine, a Fender Classic Series 50's P Bass (MIM)
How did you get the wheel on the truss rod? Looks great!
Yeah that's true. If I get the Roger Waters sig, I will get a dremel and put a route in the pickguard.Those wheel nuts aren't hard to find - although to me it wasn't worth the additional expense when I could spend a couple minutes modifying tools I already had on hand, and use the original adjustment nuts without any difficulty whatsoever... To each their own, though...
Yeah that's true. If I get the Roger Waters sig, I will get a dremel and put a route in the pickguard.
How did you get the wheel on the truss rod? Looks great!
The neck on my MIM '50s Classic Precision is almost the same as the Roger Waters Precision, and I don't find the truss rod adjustment to be a problem. I live in a coastal town with fairly big swings in temperature/humidity, and I've only had to adjust the truss rod once in the seven or eight years I've owned the instrument.