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Nice, but yeah... Hipshot is still a "better" choice. Though, I still have my issues with the Hipshots, too... not enough downward pressure on the saddles. When I dig in on the G string, the friggin saddle moves around!
Although the new bridge would check one box on my list of improvements, I would still also like to see them dump the double truss rod design for a single and thereby thin the neck profile a little, and last but not least offer pickups with the vintage winding (and tone) as an option.
In fact if I could only have one of the above, I'd take the option of vintage pickups because I own and play Rics due to their signature tone.
I know, it's kind of a sport around here.I think they will find plenty more to complain about.
Go figure..after I put hipshots on all my ricks.
After looking at this, it looks like a Schaller idea on the string spacing.
When you move the intonation the spacing changes too.![]()
I checked out the actual product listing on the Ric website, and I have to say I'm disappointed. If you read further down there is a section with a list of installation steps. If you read steps 5 - 7, a template and additional drilling/additional screws are required to install the bridge. Why wouldn't they make it a drop-in replacement?!? Even the Hipshot replacement bridge that's been around for several years is designed as drop-in.
IMHO, as a company, Ric either doesn't know or doesn't care about customer input. I get the fact that they sell plenty of instruments and therefore maybe don't need to worry so much, but think of how many more they might sell if they actually solicited and listened to customer feedback. It's like they are the poster-children for complacency and too much pragmatism.
If you really want to palm mute it looks like that forward piece could be removed easily enough and, you know, put in a drawer and forgotten about.
I found out about this new bridge a couple of weeks ago when they announced it on Reddit and Instagram. I didn't bother to start a talkbass thread because I assumed there would be ten other threads already. What's up guys? How is talkbass just finding out about this now?
I know what part you're talking about and I'm pretty sure it can come off. Doesn't that whole part rise and fall with the thumbscrews?I wish it were that simple. Its the actual design of the bridge. Where the strings pass over the mute, there are pieces of the bridge that are just a hair higher than the strings. So your palm effectively rests on the bridge, not the stings/saddles, where palm muting should be happening.
Another hipshot fan here. While i applaud the design change of the biggest issue i had with the original bridge on my 4001, that string mute is just not my cup of tea.
Cool, but will it actually intonate? Also, are they adding warp-free fingerboards to the mix?

How long ago did you get the bridge? I got one installed recently and checked with Hipshot before buying it and they said this problem has been rectified with a slight design change.
That may be how they see it, but I still disagree with the thought process - 1) Adopting a new bridge design with different mounting points (holes/spacing/screws), requires a re-tooling/re-programming of their CNC machines and build process, whereas a new bridge with the previous mounting points does not. Using the previous mounting points would also avoid modifications for anyone who buys the bridge for an older/existing bass. It's about simplicity vs. complexity - they are adding what seems to be unnecessary complexity, even for the new basses they produce. 2) Why bother selling the new bridge separately unless they want to make money from it? And if you're going to bother, why not make it easy, like Hipshot has - thereby making more money and having more satisfied customers?They designed this new bridge for the basses they'll be making at the factory from now on. They're in the business of selling new basses in order to stay in business, so they don't care about making it easy to retrofit an older bass.