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New Aguilar Compressor pedal: "TLC Compressor"

Wondering how the headroom is on the TLC.
I have an EBS but the output on my Roscoe's are a bit to much for it. Tried working the trim pots inside and the threshold (active/passive) switch, seems like rolling back my volume on the bass is the only effective way to tame it, and then I feel I am not getting the pop I want from it.

BM
 
According to my usage of the TLC, it smooths out my signal quite well. That said, I play fingerstyle on a passive P with flats, through a Groove Regulator...not exactly a spiky setup. Accordingly, my settings on the TLC are rather moderate, aimed more at my tone than at taming spikes. Someone who plays hard slap on a high-powered active bass through an old Q-Tron with all the knobs on 11 obviously will need to crank the TLC up more than I do, but I think the TLC has plenty of squash to handle it.
 
According to my usage of the TLC, it smooths out my signal quite well. That said, I play fingerstyle on a passive P with flats, through a Groove Regulator...not exactly a spiky setup. Accordingly, my settings on the TLC are rather moderate, aimed more at my tone than at taming spikes. Someone who plays hard slap on a high-powered active bass through an old Q-Tron with all the knobs on 11 obviously will need to crank the TLC up more than I do, but I think the TLC has plenty of squash to handle it.



Cool. Thanks. I got one on the way and that is what I intend to use it for is why I ask.
 
I have a TLC for a few months now and it lives as the last pedal on my 12-effect board. I have it set up like this:
gain 3 o'clock
threshold minimum
attack minimum
ratio between 2 o'clock and maximum.

Only used for the occasional slapping, to even out longer notes (neck pickup playing up on the neck -> sansamp pBDDI on a mild setting -> 'darkening' eq -> tlc makes for a nice organ bass pedal -esque sound) or to tame my Enigma's spiking.

I'm a quite heavy right-hand hitter playing active basses so I expected a very high threshold to hear the effect working, but even with the threshold at its highest I sometimes feel it's still compressing a little too much. Hence the search for the right ratio - I'd like to set it up as a pure limiter (ratio dimed) but then it's compressing too much.

TBH I have all my pedals (assortment of standard, boutique, old, new, digital, analog - 12 in all) in series without any loops, tb switchers, ... I have a loopmaster 12-switcher underway which might change my view on some effects (and will restore my bypassed sound back to normal), could that be it?



Other than that I love the TLC (at least over all the other compression I've had without having to drag my studio comps to the gig).




Herwig
 
The threshold won't have anything to do with your other effects when they're bypassed, unless one of them has a big boost when bypassed, like the Moog pedals. The threshold is only meaningful relative to your signal levels--so anything that boosts your levels, effectively lowers the threshold.

You can raise the threshold of the Aguilar by lowering the overall signal level you feed it.
 
Hi all, I just received my TLC and first impressions are on par with all I have read elsewhere regarding its quality. However, I am fairly impatient when semi complex gear (or a lot or reading is involved) and am hoping that someone with one of these can give me some quick baseline settings for using this primarily as a limiter. The site has a few compressor leaning samples but nothing aimed at simple limiting. Since most compressor settings revolve around some variation of mid-line setting I am not sure which way to go knob turning to get where I want to be so a starting point would be very helpful.
 
Correct me if I'm wrong, but from my experience with the Aguilar it wasn't really a limiter type device, more (like EBS MultiComp) a sort of soft compression pedal.
Well, while not primarily a limiter because if the range of adjustability it can certainly function as one as noted in Bongo's top picks section:

"Limiters: the Rane DC24, Valley People Dynamite, Aphex 661/651, Maxon CP9 Pro+, Pigtronix Philosopher, Alesis MicroLimiter, Guyatone BL2, Boss LMB-3, various Joemeek models, Markbass, Demeter Compulator, FEA Comp-Limiter, Menatone J.A.C, Ashly DPX/CLX/CL series, Aguilar TLC, and Symetrix 501 all do a pretty good job of cleanly limiting big signal peaks, although the only ones I'd call "really great" at limiting are the Aguilar, Aphex 651/661, and Ashly DPX/CLX."

That combined with this recommendation:

"The top tier pedals that I'd recommend to most people combine ease of use with great tone and low noise: the Diamond BCP-1, EBS MultiComp, Demeter Compulator, FEA SMX, Maxon CP9Pro+, Rothwell Love Squeeze, Effectrode PC-2A, Mad Prof Forest Green, and Aguilar TLC.

And this would indicate that it's certainly MUCH more than a simple 'soft compression' pedal:

"The slope (ratio) control ranges from 2:1 to infinity:1, making it equally useful for light smoothing, heavier squeezing, and peak limiting. It actually does quite a good job reining in big signal peaks."

Aguilar TLC

And, while I appreciate what a little compression can do I was really after a unit that could offer some decent peak limiting as well as needed so based on that info I thought this was my best choice for now. And a big thanks to Bongo for all the hard work in making all this info available to us all!
 
I bought the Aguilar after reading Bongo's reviews, and sold the Aguilar after thoroughly using it, than bought the Maxon Pro and sold that one too after thoroughly using it, though I appreciate Bongo's reviews I didn't agree with some of his findings.
What were you looking for in a compressor/limiter, didn't like in these and finally end up with? In the past I had been using an Alesis Nano Compressor that I though worked great. But I thought I'd try a couple other things as a comparison especially in a smaller, more durable pedal style.