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I respect the quest for knowledge, but I’ve been sitting this conversation out because ported or sealed never made a difference to me as long as I liked what I heard. You’re not the only one who doesn’t like ported cabs, though. Me, I just don’t like cabs that go much lower than the 810 and B15.@agedhorse's post above my previous one is very important, as it confirms that there's more than one source of delay, and that one of them is due to the "moving mass" of air in a resonant system (like the classic "mass and spring" or a child on a swing, etc). In normal operation such systems don't reach maximum amplitude instantly, and can't be stopped instantly either. [You can hear this in the sound of an early-tech keyboard synth that sounds like a robot, vs an organ pipe or even a flute, where these delays humanize their voices.]
In the case of the VB-88, this delay (although as I said I hadn't noticed it consciously until I A-Bd with a sealed cab) due to the above cause must be much more than just group delay: around the note A1 +/- some, the VB-88 is only just beginning to roll off a little, so the group delay there is probably very little. In smaller ported cabs, and those tuned higher, I had not noticed any delay, so this was a new lesson.
So, in order to complete and close out the series of posts I've made here praising the VB-88 (and I still think it's very nice):
1) It fixed the problem I had with ported cabs tuned above 41Hz.
2) But then I noticed this delay, figured that it happens to a lesser degree in all ported cabs, thought about a variable delay causing variable phase relationships with higher frequencies on the same note, and concluded that either the variable delay or the phase chaos is probably the explanation for something else (that sealed cab fans sometimes ascribe to ported cabs), but I'll avoid trying to describe or explain it here. And I believe I confirmed it with another cab tuned this low.
So, I'm done with ported cabs. It's just my own weighting of the various compromises in all cab designs.
Very expensive lessons, but as that guy laying on the sidewalk in Dirty Harry said: "I got to know".
To @JimmyM:
I have a Heritage fridge and I think its low E sounds perfect. I was talking about tuning ported cabs lower in order to move that problem I was talking about to below the range of the instrument, where I wouldn't hear it. Well, now I won't be hearing it. Feel pretty good about it.
Footnote: A 4-string actually often goes much lower than 41Hz due to "difference products" (as I'm sure you know), but that's another topic.
To @CamJazzBass: No, the VB-88 is already tuned low enough, somewhere below 41Hz. It was a 215 tuned to about 47Hz that I had a problem with.
[it sounds "like the album", right?]Hey @CamJazzBass, it sounds "like the album", right? I wish more people knew. Its low E sounds pure and clear, almost like a DI through headphones, right? I think it would make a good hifi speaker.
I don’t see anything silly about that whatsoever. I haven’t done it, but I don’t think it would be a horrible look. Still, take that with a bottle of salt.Anyone playing their 22.8” wide Venture cabs with SVT or V4B(reissue) 24” wide heads? Is the look too muffin toppy? I think about silly stuff like that…