I believe your talking over the OP's head.porting, speaker excursion, parts of a speaker, etc all work in a loudspeaker it music technology class.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I believe your talking over the OP's head.porting, speaker excursion, parts of a speaker, etc all work in a loudspeaker it music technology class.
the Beastie Boys had an acrylic B15 back in the 90's.
Play that rig with a Dan Armstrong and you'd have to worry about being seen, but everyone would hear you!!A Peavey as well.
![]()
Play that rig with a Dan Armstrong and you'd have to worry about being seen, but everyone would hear you!!
I would go with just the fronts being plexi as this will allow the "showy-ness" of it while maintaining more conventional weight and durability (plexiglass is strong but likes to scratch).Hey,
Im currently designing a concept valve amp/bass speaker for a uni project to take to market. its in early stages of development but will be constructed of plexi glass and lit with colour strips. Im looking for market feedback regarding interest in the product.
The spec shows the sizes and dimensions, the angle on the face to project the sound and some possible options.
The speakers selected were Eminence, Fane, Celestion.
The unit will come with wheels and an extention to pull it (making it portable).
Costing of the products would be - 12" setup, around £600. 15" setup, around £700. 4 x 10" setup, around £1000.
I also attached a picture to show an example of how the design should look.
Hope to incorporate a silent recording feature aswell.
Absolutely NO reason for them cabs to sound bad - it's a bit of a myth (particularly with bass cabs) that cabinet resonance is part of the tone - the cab should be neutral - add nothing to the tone - or to be more accurate it shouldn't resonate itself - its design will change the response of the driver (and thus the amp) but the sides and baffle should not be adding resonances they should just be strong, stiff supports for the drivers and the air in the cabinet.They may hear you, but I doubt the cab would sound good.
Absolutely NO reason for them cabs to sound bad - it's a bit of a myth (particularly with bass cabs) that cabinet resonance is part of the tone - the cab should be neutral - add nothing to the tone - or to be more accurate it shouldn't resonate itself - its design will change the response of the driver (and thus the amp) but the sides and baffle should not be adding resonances they should just be strong, stiff supports for the drivers and the air in the cabinet.
That's why I suggested just fronts for the clear part. - you get the look with better protection for the scratchy bits - add covers or removable front protection and you'll be good.Without a huge amount of care, they will look like something that's often confused with Shineola in short order - plastic loves to scratch, and it doesn't look good when it is. Add "sounding like crap" (or looking like a big clear box stuffed with polyfill) and you have a non-winning combination. Pass.
FYI - polycarbonate is even more prone to scratching than plexi/acrylic. It's tough, but it's also soft.
I think this might be the better way to go - leave the cabs as is and just do lighted panels that match the music. A lot of bands already have sneeze guards around the drums, why not put them around all the amps as well, and have them do the light show there as well?What's gonna protect the cab from accidental scratches? The plexiglass I've worked with was great against blunt forces and drops but sharp force and scratches marred it all up.
Also you could hook the lights up to a voltage sensitive device on the input so the cabs sync to your playing. Additionally a MIDI or CV in for control via the house light controllers. Itd be a sick idea for backline if it was hooked up to your whole light show scheme and the whole band had em. Also multi colours/different colors on different faces? You could also market small demo speakers as an educational device for music tech classes (I.e. a speaker where you can see the inside and show your students how porting, speaker excursion, parts of a speaker, etc all work in a loudspeaker it music technology class.) just my 2 cents I think its a neat flashy idea!
They will absolutely have to be braced - but if done well with the clear polycarb will look cool.100% agree. How do you think that is going to be done with unbraced panels? Additionally the mids are going to get wonky with out batting.
This is 100% subjective, as some people look for tone out of their cab.
They will absolutely have to be braced - but if done well with the clear polycarb will look cool.
Proper engineering can deal with the mids.
Subjective? Yes - but again the tone is from the cab design interacting with the drivers, not from the cabinet resonating on its own. That's why I clarified - cabinet as a SYSTEM adds tremendously to the final tone - as a BOX or resonant piece should add none.
I didn't realize we were arguing - just exchanging opinions and ideas. I have no horse in this race.I think you are arguing with the wrong person on all these points, as they are usually the ones I bring to the table in most threads.
They are not really pertinent here, because the construction using said material isnt viable. It offers no benefit over wood, other than aesthetics. While that may appeal to some, its not something one should build a business model on.
To the bolded part, I dont think that adding the bracing and batting to such a cab, to remove the cabs resonance, is going to hold up with transparent pannels. Takes all the cool factor out of this, and leaves you with a fragile, dumpy looking cab.