TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
...very similar to the MB200. The mute button is a plus, and a dial for the mid scoop is better than the switch on the GK
I'm going to have a look at L&McQ next week.......thinking of using it for practice at home with my PC.......can it be used without a load (cab)?

My guy here in Halifax put a call into L&M/Traynor (same company) headquarters today. The versions circulating in the Ontario stores (only) are prototypes to ensure that everything was OK prior to full production. That production has now begun and they should be available across the Great White North at least by the beginning of September. My name's in for one when they arrive here.

The Smallblock manual on Traynor's website says the SB200H has 1/4" send and return jacks.
Are the jacks on the side, or were they scrapped when they ran out of room?![]()
^^ same as the MB200
I've played it. Great sounding little head. More headroom than the MB200, but a different voicing so its kind of tough to really judge it. I would say its a bit more mid forward. I am eyeing the SB110 combo right now as a small gig rig for my upright.
The Smallblock manual on Traynor's website says the SB200H has 1/4" send and return jacks.
Are the jacks on the side, or were they scrapped when they ran out of room?![]()
Just checked out the owner's manual and it says the the head works 200w in a 4 ohm cab. They don't mention 8 ohms.... does that mean it can't be used with an 8 ohm cab?
I hope jmlee is right and this will be a production model thing. The lack of send / return has been an MB200 dealbreaker for me and I'm really interested in this as an alternative, but only if they "find room" for the loop. 200w in a small / affordable package is really all I need, but I want the option to use my Rusty Box as a proper pre.
Speaking of Traynor's past bass-tone achievements: How *does* this thing sound with the gain cranked up?