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New Ernie Ball Short Scale Collection

26784839[/URL], member: 292474"]Sorry for so late of a reply. Had a very busy weekend.

Yes, I did finally get my new bass on Friday. I can't put up pics yet due to my computer setup, but will add some tomorrow. Yum, she is a beauty.

So where to start.... THE Neck. Wow. So fast. I've never felt something so smooth with zero friction. It is very playable art and hard to describe. Took me about 2-3 minutes to kind of get used to it and pretty much that was it. This is by far my favorite bass and happiest NBD yet.

Fit and finish. Excellent. I added a Zero Mod thumb rest that I had already ordered (already had one on my SMBB too due to pickup location where on most other basses I'd use the pickup as a thumb rest). I also added Ernie Ball strap locks. The buttons were high quality as are the ones on my SBMM, but I wanted an added level of protection.

Very light bass and very comfortable to wear/play. Tone knob is definitely different with less "harshness" on the high end and smoother range.

The 3 pickup positions are similar to the SBMM and I know someone said it would be hard to tell a difference, and maybe it's just me, but I can hear a difference in all 3 positions. It's a happy pleasant difference too. More full range and clear and thumpy if that's possible. I really didn't like the single coil position on the SBMM because it's just too thin and frail. On the EBMM it's much more smooth and Mo-towny and very useful. I like both the parallel and series positions better too regardless of where I put the tone knob. Chord tones are better and ring more clearly.

I get the Stingray goodness kind of that mwah on all 4 strings where on the SBMM it's only noticable on the higher register of the D and G strings (which is what made me a fan already).

I wonder if pickup adjustment could be the difference to be fair, but I can say that they look very much the same set up to me. I had to adjust my SBMM slightly away from the strings because I play hard and the initial pop was too much. I only very slightly adjusted the high end of the EBMM a little closer to the strings. Maybe it's tone woods. Maybe it's the roasted maple.... :drool:

The hardware is better. The tuners are great in comparison. very big upgrade. The frets shine like the sun. The knobs seem more sturdy. The bridge may not be as heavy duty looking as the SBMM. Don't know if it's an upgrade or not; just different.

I did adjust the action one turn on each allen head down and it plays like butter. I still dig my SBMM, but this new EBMM is easily my new number 1. Going to sell a bunch of basses now. No joke. I can't see myself reaching for the others nearly as much now.
Congrats! I’m glad it works so well for you.

It was me who said you be hard pressed to hear a difference… I can’t really go back and re-evaluate as my SBMM is fretless with tapewounds. I can say that the couple of SBMM’s I’ve played more recently disappointed me. At the very least, the differences between the two do add up to making the EBMM a special instrument. Mine is my #1 and I don’t see it going anywhere any time
 
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I saw the pics on the other thread…

Congrats on a great bass.
Just to square up… here she is ( on the correct thread). Been traveling a bunch and hastily posted in SBMM thread. Duh
 
Update…. Have not yet had a chance to put it through the paces. Reason? Something not wired right and no signal at position 3 so I sent it back to EBMM for fixin’….But I’m not complaining! Techs had it on the bench pronto and I had it back in my hands within 5 days of shipping it to SLO. They even threw in a black PG which I inquired about….and I like the blackout/purple scheme.
Thank you Joel and crew!
Now to play it!
44797595-DE8A-4C2B-B8B8-06E4F1CAF986.jpeg
 
:cool:
Update…. Have not yet had a chance to put it through the paces. Reason? Something not wired right and no signal at position 3 so I sent it back to EBMM for fixin’….But I’m not complaining! Techs had it on the bench pronto and I had it back in my hands within 5 days of shipping it to SLO. They even threw in a black PG which I inquired about….and I like the blackout/purple scheme.
Thank you Joel and crew!
Now to play it!View attachment 4821275
Nice cosmetic change. :smug:
 
Update…. Have not yet had a chance to put it through the paces. Reason? Something not wired right and no signal at position 3 so I sent it back to EBMM for fixin’….But I’m not complaining! Techs had it on the bench pronto and I had it back in my hands within 5 days of shipping it to SLO. They even threw in a black PG which I inquired about….and I like the blackout/purple scheme.
Thank you Joel and crew!
Now to play it!View attachment 4821275
I really want a white sparkle pick guard for mine. Will have to see if they'll sell me one.
 
Update…. Have not yet had a chance to put it through the paces. Reason? Something not wired right and no signal at position 3 so I sent it back to EBMM for fixin’….But I’m not complaining! Techs had it on the bench pronto and I had it back in my hands within 5 days of shipping it to SLO. They even threw in a black PG which I inquired about….and I like the blackout/purple scheme.
Thank you Joel and crew!
Now to play it!View attachment 4821275
Too bad that an instrument in this quality/price tier arrived with a significant flaw like that, but the pick guard is a solid consolation prize!

FWIW, my purple SS Stingray arrived in seemingly flawless condition :bassist:
 
Too bad that an instrument in this quality/price tier arrived with a significant flaw like that, but the pick guard is a solid consolation prize!

FWIW, my purple SS Stingray arrived in seemingly flawless condition :bassist:

Agree..... but to be fair, This is the 8th EBMM I've acquired over the years and first ever with an issue. You'd be hard pressed to find a manufacturer of anything (amps, pedals, cars, computers,TV's, etc) where something didn't slide by in QC check that needed correcting. Bottom line for me is that the fix was prioritized and returned without pulling teeth. I recall a few years ago the preamp went out in my 79 Ray, and with a call, I had a replacement in my hands within days. I am a firm proponent of EB customer service and their product.
 
Agree..... but to be fair, This is the 8th EBMM I've acquired over the years and first ever with an issue. You'd be hard pressed to find a manufacturer of anything (amps, pedals, cars, computers,TV's, etc) where something didn't slide by in QC check that needed correcting. Bottom line for me is that the fix was prioritized and returned without pulling teeth. I recall a few years ago the preamp went out in my 79 Ray, and with a call, I had a replacement in my hands within days. I am a firm proponent of EB customer service and their product.
Very good point! If this isolated data point means anything, it’s a good look for EBMM.
 
As we are talking about wiring: is it normal, that the humbucking effect only occurs in pos 1 (parallel mode). I would have expected, that humbucking should work in pos 3 (series mode) as well.

View attachment 4821976

Both positions are humbucking. Series is what you would consider a classic humbucker tone. Parallel is kinda halfway to a single coil, but because both coils are activated, it's still humbucking.
 
Both positions are humbucking. Series is what you would consider a classic humbucker tone. Parallel is kinda halfway to a single coil, but because both coils are activated, it's still humbucking.
It should be, but it is not. In position 1 the typical high interference hum disappears and the sound looses some trebles, in position 2 the single coil sound is classic in all aspects, including hum, but in position 3 the sound changes, get's a bit fuller, but keeps the brilliance and the hum similar to the single coil position. So, it is definitely not humbucking... Fellow current EBMM short scalers - how is it on yours?
 
It should be, but it is not. In position 1 the typical high interference hum disappears and the sound looses some trebles, in position 2 the single coil sound is classic in all aspects, including hum, but in position 3 the sound changes, get's a bit fuller, but keeps the brilliance and the hum similar to the single coil position. So, it is definitely not humbucking... Fellow current EBMM short scalers - how is it on yours?

I only hear hum in pos. 2 single coil mode. Mine is a 2019 model, Idk if that makes any difference.
 
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It should be, but it is not. In position 1 the typical high interference hum disappears and the sound looses some trebles, in position 2 the single coil sound is classic in all aspects, including hum, but in position 3 the sound changes, get's a bit fuller, but keeps the brilliance and the hum similar to the single coil position. So, it is definitely not humbucking... Fellow current EBMM short scalers - how is it on yours?

That's weird.
 
It should be, but it is not. In position 1 the typical high interference hum disappears and the sound looses some trebles, in position 2 the single coil sound is classic in all aspects, including hum, but in position 3 the sound changes, get's a bit fuller, but keeps the brilliance and the hum similar to the single coil position. So, it is definitely not humbucking... Fellow current EBMM short scalers - how is it on yours?
Finally... I found out, what's up: usually the pos 2 is neck side single coil and pos 3 should be both series, but on my bass is bridge side single coil. EBMM customer service offered to repair with the german distributor or alternatively send me a replacement pickup and fully loaded control plate. But after some thinking and playing I decided to keep the double single coil arrangement as it is. I like the clarity from the single coils and in the last weeks usually played pos 2 or 3 and only rarely pos 1 humbucking parallel. So now I have this unique pickup configuration...