Just wanted to add my two cents here.
Last weekend I replaced my unravelling Dlugoglecki E&A with the Slaps. A couple of reasons, I'm a bit broke and don't quite have the scratch to replace a set, but mainly, I'm heading to Southern Alberta next month for two weeks of recording. Probably the driest place in Norht America, (down to -30 celsius at times and low low humidity) in other words, wound gt string killer weather.
So, I'm really happy, just did a tour down to Oregon and back, two sets a night, Monday to Monday. Bass (1952 American Standard) in the back of a van with tempuratures down to -5/6 celsius. The strings held their tuning and performed great.
I think these strings blend scarily well with raw gut strings up top. I do think the Dlugo's have a bit of a higher tension than the Pirastros, so that may contribute to the slight change in feel. The first two gigs I played, my arm was tiring out, due to the lower tension.
Funnily enough the biggest tonal difference I noticed between these and wound gut strings, were when I was slapping acoustically. Amped up, and with a band in the mix, I couldn't tell you any difference.
I may try an old Pirastro Henriquez Chorda D/G to see if the lower tension balances a bit better. And when I'm in the studio I will keep an old E/A gut string handy incase these fail miserably in the studio setting.
All in all, I think these a great winter and a great touring option for the gut purist in your life. I'm happy.
Last weekend I replaced my unravelling Dlugoglecki E&A with the Slaps. A couple of reasons, I'm a bit broke and don't quite have the scratch to replace a set, but mainly, I'm heading to Southern Alberta next month for two weeks of recording. Probably the driest place in Norht America, (down to -30 celsius at times and low low humidity) in other words, wound gt string killer weather.
So, I'm really happy, just did a tour down to Oregon and back, two sets a night, Monday to Monday. Bass (1952 American Standard) in the back of a van with tempuratures down to -5/6 celsius. The strings held their tuning and performed great.
I think these strings blend scarily well with raw gut strings up top. I do think the Dlugo's have a bit of a higher tension than the Pirastros, so that may contribute to the slight change in feel. The first two gigs I played, my arm was tiring out, due to the lower tension.
Funnily enough the biggest tonal difference I noticed between these and wound gut strings, were when I was slapping acoustically. Amped up, and with a band in the mix, I couldn't tell you any difference.
I may try an old Pirastro Henriquez Chorda D/G to see if the lower tension balances a bit better. And when I'm in the studio I will keep an old E/A gut string handy incase these fail miserably in the studio setting.
All in all, I think these a great winter and a great touring option for the gut purist in your life. I'm happy.