Flea got himself a handful of CS basses like that a couple of years ago. The idea was to emulate Stingrays with a Fender as he's been a Fender endorser since Modulus hit the skids, but still digs the Stingray vibe.
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Just doesn’t look right .
That long body and all that extra space between the neck and pickup.
Not to crazy about that shell pink either.
To me a bass is a tool to make music, and looks are secondary.
I appreciate that Fender finally offers the bass that Flea actually
plays live. It is a combination of Jazz/Stingray with 18V preamp and a
single HB, and expands the offerings by Fender nicely (i.e. it is not just
another Jazz bass with a different color....)
)Flea got himself a handful of CS basses like that a couple of years ago. The idea was to emulate Stingrays with a Fender as he's been a Fender endorser since Modulus hit the skids, but still digs the Stingray vibe.
He was certainly playing Modulus at that time (I was a huge fan when that record came out), but I don’t know if he also played other basses on the record.I seem to recall that Flea left Modulus before they folded. They continued to produce the Flea model, rebranded as the 'Funk Unlimited'. Some discussion was had over the initials of the new bass at the time, as if it inferred some acrimony between the two parties. Flea moved on to that honkey-tonk budget bass, and backed that product for a little while before it disappeared.
On the subject of Flea and his basses, what did he record 'Californication' on? Was it a Modulus?
Browsing the Thomann site and came across this. It's not on the Fender site, does anybody else have any info?
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Looks weird to me, but I kinda like it.
If I remember correctly I believe the reason Flea stopped playing Musicman years ago is because they would not give him a signature bass, I believe I read was a policy of theirs back then. But now it seems like EBMM can't issue enough signature models, at least on the guitar side of things.