Pbassmanca
In the pocket n' thumpy. So woody, so greasy...
That's a seriously lustworthy setup! Man!
How's it sound with the MAS cab? Is that the fabled B15?
#lustworthy......![]()
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That's a seriously lustworthy setup! Man!
How's it sound with the MAS cab? Is that the fabled B15?
#lustworthy......![]()
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Lol!!No, just candy!![]()
Has anyone ever tried the Rosette Acoustic Preamp? It looks almost identical to the Subway+ Preamp.
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Waitaminnit! Although it's an epic derail, I absolutely want to know what you had a hand in with Tubeworks! I just assumed it was all B.K. Butler.They do tend to grow. I have plenty of experience designing some of the tubeworks stuff, much simpler than what we are now discussing
Much of it was based on BK's earlier work, but we brought out new products as well as revamped a few older ones. Scott and I handled these projects.Waitaminnit! Although it's an epic derail, I absolutely want to know what you had a hand in with Tubeworks! I just assumed it was all B.K. Butler.
And to add that it felt as though I played a miniscule part in it's creation. Not that I did, but it felt like someone listened to my wants , and went off and created the sound in my head, made real.And the outcome of the previous " what do you want to see in a compact head" inquiry provided me with 3 years of tonal Bliss. Thanks Andy
I think all of us who were willing to share thoughts had a part in shaping Andy's vision for the current Mesa bass product line and guiding/informing his creative process. IME that's the reason great designers ask leading questions and then sit back and listen to where the conversation goes. The benefits of honest collaboration go both ways.And to add that it felt as though I played a miniscule part in it's creation. Not that I did, but it felt like someone listened.
While the mesa store ships no sack of candy... decisions, decisions, decisions...Sweetwater has no footswitches, got mine from Mesa online store
I think all of us who were willing to share thoughts had a part in shaping Andy's vision for the current Mesa bass product line and guiding/informing his creative process. IME that's the reason great designers ask leading questions and then sit back and listen to where the conversation goes. The benefits of honest collaboration go both ways.
I have a the Barefaced Two10s and so the temptation is now becoming to great after reading this!So I just got home from my gig.. 40 minutes of Black Sabbath with my tribute band. I brought both the WD800 and D800+, running through a few pedals and my Barefaced Four10 @8ohms. From the moment I got the WD800 up to band volume, I had a giant smile on my face. The dampening control set to low is what I was missing all this time on the D800. The EQ is fantastic, including the passive mid. Very intuitive to dial on the fly. I added a little bass, a little low mid around 150hz, removed a little around 600 or 700 hz, and the treble was up around 2 o'clock. I run Spector basses through a Keeley Bassist and Damnation Audio MBD1 on my pedalboard. This amp brought it tonight. It felt like I had a giant tube amp cranked behind me. The production manager for this theater raved about the bass tone I had.
The D800+ never left my car. I know this is technically the honeymoon phase, but man it was one hell of a first ride. Hats off to @agedhorse for this bad boy.
And for the record, the bass player in the Zeppelin band we opened up for had a D800 and 1x12/1x15 combo as well.
I think all of us who were willing to share thoughts had a part in shaping Andy's vision for the current Mesa bass product line and guiding/informing his creative process. IME that's the reason great designers ask leading questions and then sit back and listen to where the conversation goes. The benefits of honest collaboration go both ways.
I need to pop it on my One10 but it sings through my BB2.I have a the Barefaced Two10s and so the temptation is now becoming to great after reading this!
Just arrived today... Been playing it through one of my Subway 115’s. I really dig it! It’s going to take me a little while to wrap my head around having the passive mid control, in addition to the three parametric mid controls. It’ll just take some experimenting. The power amp dampening is actually more intuitive than I imagined it would be. I really like the tone so far. I’m going to do some comparisons with my D-800+ soon.
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The 800+ and WD800 are examples where they got a little bigger.
Regarding size, there is a practical minimum size that goes hand in hand with the space each feature, knob, switch and jack take up. I am very aware of the need to be able to operate the controls with normal size fingers. This is the only reason the D-800+ is larger than the D-800.
I was thinking if the D-800 uses the same power section, and that's the back end of the WD-800, there might be empty air in the box, since the faceplace size is what it is.There's not very much empty space inside.
There may be in my head!There's not very much empty space inside.
