multiple passive basses.Did you have a high output bass going in? Active, or hot pickups. A passive jazz bass probably would break up less quickly, I’ve found that with another pedal.
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multiple passive basses.Did you have a high output bass going in? Active, or hot pickups. A passive jazz bass probably would break up less quickly, I’ve found that with another pedal.
Pasive P bass with a P90, but yeah, the input volume probably affects the gain. It's not a bad thing, that slightly driven sound is the whole point of the pedal, isn't it?Did you have a high output bass going in? Active, or hot pickups. A passive jazz bass probably would break up less quickly, I’ve found that with another pedal.
A good sign that whatever is in that box is beyond your skill set, lol.Pasive P bass with a P90, but yeah, the input volume probably affects the gain. It's not a bad thing, that slightly driven sound is the whole point of the pedal, isn't it?
However, it's been a long time since I've seen a SPST switch in a pedal. Maybe replacing it with something else would stop the pedal from cutting the sound when turned on and off. (??)
What's that red thing?
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A good sign that whatever is in that box is beyond your skill set, lol.
I was joking.... LoLMan, people jumps so fast onto each other in this forum... it's going to become the old gearslutz.
I've been noticing all the pros that use the Noble really don't use compression... It's all about tone. Technique is so good compression not really needed.I just got one and added it to my pedalboard. I wasn’t sure how well it would do what I wanted to do. Specifically, I have a Noble that I love, but I wanted the option to add a bit more grit / amp-like tone for when I play direct without an amp (my norm now, it seems).
I’ve only played it at one rehearsal now, but I was able to dial in really subtle drive, and it didn’t materially change (disrupt) what I already loved about P-bass w/flats direct to Noble.
Exhibit B - FEA OptiFetThe right compressor can be a fantastic tone enhancer that’s unrelated to technique
Exhibit A - The Diamond Bass Compressor
We're just briefly talking about the Noble and no compressors. But I definitely agree...The right compressor can be a fantastic tone enhancer that’s unrelated to technique
Exhibit A - The Diamond Bass Compressor
The pedal just arrived and gave it an hour test at home.
Initial impressions:
Pros:
It sounds good, very good. I’ll test it with the band this weekend to see how it sounds there, but I’m very pleased so far with the classy bass grunt it provides.
The EQ knobs are quite great, they add to the highs or lows without changing the overall tone.
The 3 positions EQ switch also ads some versatility. It will be off for now, but it’s nice to have it.
Cons:
The pedal has probably been designed to be always on because when you press the switch there’s a small instant where the signal is interrupted. This is very bad if you want to turn the pedal on and off during a song and I wonder how the other newer SGfx pedals are in this regard.
The LPF knob does nothing with the EQ switch off, and very little in the 1 and 2 positions.
Pro/con:
The pedal always adds a tad of dirt to it, even with the gain turned all the way down. Great if that’s what you are looking for, not so much if you want to play perfectly clean (it would not be the pedal you'd buy anyway, they are pretty clear about what it does).
I also tried it at 18v but there was not much difference.
A suggestion: SGfx could just remove the switch from the pedal. Or even better, use the switch to turn the dirt on and off, or for different gain stages.
How did it go with the band? I did a trio rock/blues thing yesterday evening and it worked well.
- Drive on/off switch is a good idea
- I don’t hear this pedal always adding dirt
- LPF does “more” in position 2
- I’ve not heard the signal pop or cut when engaging....I’ll pay more attention and try a couple of different amps today
The pedal was nice but somewhat redundant with the amp and other pedals. I like how it sounds but not sure of how many levels of low gain dirt are necessary in my band context.
About the switch. I contacted SGfx and they acknowledged that it’s how the switching works. The small gap is a default, not even replacing the switch would change that. It’s not a big deal and I’m probably hearing it because I already expect to hear it. But I’d not want to use a fuzz pedal that does that.
An always-on version ala Fairfield’s Modele B would be interesting.
Found the gap...sustained note from off to on.