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Double Bass NHD (BAM200) & Cab comparison w Soundclips

Which speaker do you prefer the sound of:


  • Total voters
    18
.....how much discernment is there among the audience that is John and Mary Q. Public compared to a musician, let alone an upright bassist? Its a question I have thought about often...

Part of my answer to your question is in my post above (post 58): "With the many and varied frustrations of working in clubs, I have been seriously tempted to just do recordings and concerts."

Beyond that, I strive to provide as good a sound as I possibly can. That's my obligation as an 'artist'. I first have to satisfy myself. If the audience isn't understanding or appreciating what I'm doing I'm probably in the wrong venue.

I'm 68 years old and I don't do this for the money, I do it for my own artistic satisfaction. Therefore I don't take gigs that I won't find satisfying - and I really don't care how much they pay.
 
Part of my answer to your question is in my post above (post 58): "With the many and varied frustrations of working in clubs, I have been seriously tempted to just do recordings and concerts."

Beyond that, I strive to provide as good a sound as I possibly can. That's my obligation as an 'artist'. I first have to satisfy myself. If the audience isn't understanding or appreciating what I'm doing I'm probably in the wrong venue.

I'm 68 years old and I don't do this for the money, I do it for my own artistic satisfaction. Therefore I don't take gigs that I won't find satisfying - and I really don't care how much they pay.

I echo your sentiment at 62 years of age in July.
My favorite DB gig is amp less 2-3 Wednesday’s a month.
 
Part of my answer to your question is in my post above (post 58): "With the many and varied frustrations of working in clubs, I have been seriously tempted to just do recordings and concerts."

Beyond that, I strive to provide as good a sound as I possibly can. That's my obligation as an 'artist'. I first have to satisfy myself. If the audience isn't understanding or appreciating what I'm doing I'm probably in the wrong venue.

I'm 68 years old and I don't do this for the money, I do it for my own artistic satisfaction. Therefore I don't take gigs that I won't find satisfying - and I really don't care how much they pay.
Bravo.
Seconded.
Thanks.
 
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Reactions: rickwolff
Hearing oneself adequately or spectacularly on a gig can be a never ending challenge. And, I am a gear junky as much as any other bass player (even though I've been resisting a MAS 16 or 18, now the 110), but what does an audience actually hear bass-wise vs. gear, and how much discernment is there among the audience that is John and Mary Q. Public compared to a musician, let alone an upright bassist? Its a question I have thought about often...

Probably not as much as we'd like, however, if the sound coming back to you isn't comfortable to play with, then I think the some of the audience can intuitively sense that, and feal that the music is not as it should be, from the ground up. Just my take
 
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Reactions: rickwolff
Anyone have experience with the BAM 200 with a 15" cab and electric bass? I'd really like to get a 'gig bag' amp head and this looks like a great deal.

I'm running passive pickups straight into the BAM200 into a TC K-115, and love the setup. It sounds and feels great, and I'm looking forward to adding a k210 or k212 dropping to 4ohms just to get some highs (but that's purely my cab problem).
 
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The new Bam200 just arrived and I laughed when I held it. My first thought was, ‘if it is halfway useful, I’ll keep it’. Really, it’s so tiny I didn’t expect much.
However, it sounds very nice and holds its own in the power department.
I compared it to my first gen Clarus (the baby one) and the Markbass Nano300. The Clarus is rated at 200 watts into 4 ohm and the Nano is 300 into 4. They have always seemed about even to me, although the Clarus was built with a large toroidal transformer and will handle 2 ohms. It’s a well built amp.
Tonewise, the Bam sounds similar to the Clarus. It is warm and fat. I suspect the 10M input which the Clarus has is a factor. The Bam200 may be ever so slightly leaner on the bottom, but not by much. It does add a tad of fuzzy warmth but overall the presentation is very natural.
The Nano is a leaner and cleaner amp than the other two. I would say that the Bam is the warmest of the three. I never thought I would find an amp warmer than the Clarus, but her it is.

The Bam sounded great through first, my GK MBX metal cabinet and then the little 10” Promethean which is a bit more middy with less low end. The real test was the ACME B1 because it is power hungry and drops to 3 ohms. That cabinet did not like the GK MB200 for that reason.
Well, the little Bam handled it fine.

I’ll take it out this weekend but I suspect it will become my ‘go to’ head. My Sunday gig is one I always have PA support and use a fine Countryman 85 DI. I’ll try going straight out of the amp and see how it compares. The BAM200 is so cute and convenient, but it sounds good too. If TC hadn’t had DB players in mind when designing this thing, I’d be surprised. Keep an FDeck HPF in the bag for use if needed and I think you’re covered. $149 to my door through Amazon. Such a bargain.

Edit: For size comparison, the three amps are matching at the rear left corners. Ridiculous.
 
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Part of my answer to your question is in my post above (post 58): "With the many and varied frustrations of working in clubs, I have been seriously tempted to just do recordings and concerts."

Beyond that, I strive to provide as good a sound as I possibly can. That's my obligation as an 'artist'. I first have to satisfy myself. If the audience isn't understanding or appreciating what I'm doing I'm probably in the wrong venue.

I'm 68 years old and I don't do this for the money, I do it for my own artistic satisfaction. Therefore I don't take gigs that I won't find satisfying - and I really don't care how much they pay.

I totally get it Rick, neither do I, unless the money is really great, which happens on occassion. It's usually the Jazz gigs that don't pay well, but not always.