Keep in mind that if you DO decide to try Progressives on your Warwick, you'll need to buy extra long E and B strings. The ones they package in their sets are shorter than all the other strings and will not fit on a Warwick. Take a wild guess how I know
Yeah, the .130 I use for my bass (which is only available in standard long scale) has the silk go about 1/8" or so past the nut on my Streamer LX and Corvette. Maybe next time I'll grab an extra long B string and see if it makes any difference, but I haven't noticed anything other than aesthetics in the two years I've been using them. Tonally there hasn't been any real difference, and especially when you're using a Fretwrap on strings, where the silk is becomes a moot point.
Im looking for something thats really bright and punchy, a lot of people have said Boomers are perfect but I cant seem to get into Boomers. I know that GHS strings are considered one of the best brands and I have absolutely nothing against the company, I would just like to try a different set if at all possible.
The Boomers are bright, dont get me wrong but im just not a fan of them, its hard to explain why, is there any other set that is really bright and punchy I could give a try?
We've got a lot of bright and punchy strings, if you're not married to nickels.
As mentioned a couple of times, Progressives will be brighter and are a great string. I feel the sound is a little more growly than some of our other ones, but not overly so (especially since I have them on a couple Warwicks that have their own signature growl). I'd probably recommend these first for you to try out.
Brighter than that are Super Steels, which are very hi-fi and articulate. When I originally started with GHS (as a humble endorsing artist), I first grabbed a set of Super Steels, as they were tonally close to what I was using prior. They sound amazing and have a tight, focused sound that you could equate to "piano clarity."
Above that are the Contact Cores, which are the Super Steels but with an exposed core by the bridge. I've used these as well, and they offer a little more focus on the lower strings (starting at D they're exposed). These are on my fretless basses and they do really well to even out the darker nature of those basses.
If there's anything else I can answer, please let me know.