Works for me and my bandUnless you're playing on a very wide (>50') stage, you may be doing more harm than good.
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Works for me and my bandUnless you're playing on a very wide (>50') stage, you may be doing more harm than good.
If it works for you, great! I'm just trying to suggest something that may work better.Works for me and my band
I got this from one:First of all this:
Can we please stop using "guitard"? | TalkBass.com
My 210 rocks out with a skilled drummer and guitarist with a Tiny Terror on the 15w setting into 212. It's not loud but still loud enough to need earplugs and it sends the conversation to the far end of the room.
I did this for years. Two cabs, one on each side of the drummer. Here's another thought. Get a powered monitor wedge, and put it at the front of the stage. Run a signal to it from your bass amp and crank it. If you can afford it, buy two powered wedges! LOL. Aim them right in the FACES of the guitar players! LOLThat's a situation where an extension cab on the opposite side of the stage works better for me than a stacked rig.
I "place" the sound where it's needed instead of trying to " throw" it there.
Works especially good at low volume too.
This is the result of beaming which is normally far worse if your speaker cab has drivers mounted side by side - hence the reason so many speaker experts suggest to use a vertical speaker array: eg, two 210 cabs vertically rather than a 410.
Almost all 410s, 412s, 610s, 8x8, 810s etc. suffer from this but it is not apparent to the player who is onstage as the effect of beaming only becomes apparent out front of the band - if you walk around the room, you will find certain areas have masses of bass while other parts of the room have almost none.