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Not Your Typical Compressor?

I know this may sound, well, as a compressed opinion (pun intended). Many moons ago I purchased a Carvin PB300 head. It has an onboard one-knob compressor, called "Sustain." This head has served me well for decades as a gig amp, and now serves as my rehearsal hall head. Frankly, I've played through many compressors, both stand-alone and part of the house system in all sorts of venues, including national network TV broadcast, and the Carvin, although appearing to be limited (another pun intended) in its flexibility, for a gig amp actually has been the cleanest compressor I have played through, with the least "pumping" and noise artifacts. Then again, I have a minimalist approach to compression, having learned to play before anybody outside a studio had any idea what a compressor was, so we all learned to even out and play within the dynamic envelope with our fingers and technique. Compression is a tool. If used properly, as in, and starting with, the Beatles' Paperback Writer/Rain 45 r.p.m. single to give presence and improve the mix, great! If it is used to fix bad technique, then it is time to hit the woodshed. The goal is to play as well as possible to avoid having to use compression, then it can be applied sparingly to improve what is already a good track to slot the mix. The last PBS TV special I played, during a break I talked to the sound engineer to make sure I was giving him what he wanted. He told me my D.I. feed was so clean that he used the least compression on me to fit the broadcast bandwidth of any bass player he had been working with at that time.
 
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I'm sure there are thousands of typical, "What's everyone's favorite compressor pedal" threads on talkbass, but I'm looking for a very specific type of compressor. I want a compressor that is 1) quiet, and 2) simple, with 2-3 knobs. Can anyone help me with some suggestions? Thanks.

Tell us what you are looking for in a compressor and then I’ll share some recommendations.
 
I believe the Whirlwind OC Bass is what you seek. Not new or trendy, and it costs a few extra bucks, but it is built to survive and sounds great in all settings. In my experience it is near impossible to dial in a bad tone, and when you turn it off you want to turn it right back on. It just does all the right stuff. The limiter side of the pedal can be a bit heavy handed, but that is what it’s supposed to do.
 
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I mentioned Demeter compulator before, but it seems a lot are suggesting >2 knob pedals, so I will also add Aguilar TLC. Funky shape, but the controls are extremely simple. Great sound, as in incredibly transparent.

I still have that one…
(And an FEA Labs DB-CL. But that has 11 knobs, a toggle, and two stomp switches…)
 
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