Wow!
@Dsmnoisemaker , this is a fantastic pedal.
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I really appreciate that you put in the stereo aux and the stereo headphone out.
I play ampless 100% of the time when I play out. Though I am provided an Aviom personal mixer on stage, the sound techs frequently change the gain levels between sets without warning and without further sound checks. When that happens, I can no longer hear myself play as the drop in gain kills my personal mix. I don't discover the issue until we launch into the first song of the next set.
With the OCSD, I will send the Aviom feed to the Aux In (via my Tasty Blender to add limiters) and then plug my IEMs into the Heaphone out of the OCSD. That way I will always be able to hear myself play. I have simulated this with a mixer at home and it works well.
It is still the case that I should avoid phantom power with the OCSD? If so I will use the 1/4 inch output and send the signal to another DI that is not hurt by phantom power.
For anyone else who has read through this whole thread before buying one of these pedals, the current OCSD (with 'Headphone Out' instead of 'Headphone (Mono)') there was no issus with the headphone volume soaring once the aux signal stopped. This was an issue with a previous version of the pedal but it has been fixed.
I only use clean tones with my bass, but even with clean tones, the OCSD made my bass sound better. I used triple driver IEMs and listened through the headphone out of the OCSD to sample the various settings. Below are two tasy settings that I have found so far.
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I liked tone of the recording when I sent the XLR out to a multi-track recorder.
I liked how I no longer hear any hum when I mix single coil mode with series or parallel with on my Sire M7 bass when using the headphone out of the OCSD. That will open up even more tone options on that bass.
The pass thru is nice when I want to play through an amp in my practice space.
Overall, I am very happy with this pedal!