My F-1 showed up yesterday! Woot! Gotta try the Ken setup to see how I can run two amps and two cabs, since my cabs are 4 ohms...
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The "Ken setup"?My F-1 showed up yesterday! Woot! Gotta try the Ken setup to see how I can run two amps and two cabs, since my cabs are 4 ohms...
You could use an ABY box from Loooper just before your amp input(s). They make one with a tuner mute, too, which would also solve the problem of the absent mute function on these Markbass amps.Woot! Gotta...see how I can run two amps and two cabs, since my cabs are 4 ohms...
The "Ken setup"?My F-1 showed up yesterday! Woot! Gotta try the Ken setup to see how I can run two amps and two cabs, since my cabs are 4 ohms...
Yeah, I don't think Ken would subscribe to such foolishness... myself, on the other hand...LOL...![]()

Yeah, I don't think Ken would subscribe to such foolishness... myself, on the other hand...
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Yeah, I don't think Ken would subscribe to such foolishness... myself, on the other hand...
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Ahhhh... makes sense, and yeah, I'm always looking for a way to get what I want with the smallest and/or lightest stuff.I'm trying to figure out how to take no gear to a gig... not doubling it up
I assume he meant the 'Ken' from the Genz threads (I think that's his name) who uses double 6.0's on large gigs
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+1I've actually thought about adding an F1 or another LMII as our guitar player actually likes a lot of bass on his side of the stage. Seems like we use IEM's more and more so it's kind of a moot point right now. And...as with Ken, I would prefer to schlep as little as possible. If I can take the gig bag with my Sad DI, Pitchblack tuner, and IEM's, I'm happy.![]()
Unless it's strictly a backup head, noting you probably couldn't get a TFB repaired just anywhere, +1.I've always seen pictures of guys with multiple of the same head in their racks - like this one from the TF website:
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...and wondered why anyone would do that, versus driving one or more separate poweramps out of a single head/preamp to run multiple speaker configurations.
In the case of Markbass, at least I can see the point now, since the LMII and F1 don't have suitable outputs for outboard amps. Otherwise, I still don't get it, unless these are guys who use different heads to accomplish different tone goals and mix them together (a la Commerford), but my guess is that there aren't many of those guys around.
The backup idea makes sense...but would you have your backup in your rack all the time, considering that a lot of causes of amp failure would be the result of some trauma to the amp (e.g. dropping it)? If that were my approach, I would probably tote it separately.Ummm, a backup maybe, in case of failure....?
*edit* dang, beat me to it![]()
Come to Australia & pay the govt. for your bass gear!!! ;-(
I hear you.
I paid $1250AUD for my LMII and had to get one from the East Coast cause there were none in the West.
I'm sure Italy is as close to Aussie land as it is to USA!!!
Must be our wonderful Govt. making a killing.![]()
You make a good point, but note he's got it all shock rack mounted, so I'm assuming he's just planning for electrical failure (either amp failure, or failure imposed by supplied power), in which case, at least the backup is right there, ready to connect and go.The backup idea makes sense...but would you have your backup in your rack all the time, considering that a lot of causes of amp failure would be the result of some trauma to the amp (e.g. dropping it)? If that were my approach, I would probably tote it separately.
My bad- it's not the Ken setup, it's the Vic setup. I was on my phone when I posted last, and it's a pain to read back through...I knew it was one of youse guys north of I-10...On a lighter front...
I have this strange gig where they really like a lot of bass guitar in particular on stage, and I have to drive an additional cab on the keyboard side of the stage as a "remote bass monitor". For those of you that have been reading my drivel for a while, this is where my "2 ohm requirement" has always come from.
I have been using my MB stuff on the blues gigs, where I don't have to do this, but my Eden head for the gigs where I have to drive that other cab. So far, so good, but I really like the MB tone in a live setting... it's a bit punchier, and I'm sure it'd work great in this gig, but of course I can't drive that other cab.
Well, an interesting development. I just got this F1 head for eval due to a nice sale online, so now I have both the LMII and the F1 (like some other folks do). What's cool about these, at least for my strange and bizarre needs, is they stack perfectly. Yeah, you know where this is going.Also key, is the parallel effects loop default.
So I pipe the efx send on the primary (my rig) head into the efx return on the "aux cab" head. What's really awesome about this, is I have individual tone controls for both speakers, and volume controls as well. For this particular oddball config, it's about as good as it gets... even better than driving a power amp from the head, since the same tone controls would affect both sides. It'd work ok, but not ideally.
So I was on the fence about whether I'd keep both, and if not, which one would stay, but I think this locks them both in. I'm going to try it at the gig tonight, but I expect it to work great.
A cool side benefit of this is, with some simple cable swapping, I can finally do a real effective A/B test between the F1 and LMII on a gig.![]()
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I got a LittleMark II over the weekend. I will try to get pictures at my practice Thursday.
Has anyone else tried the LM with Hartke Aluminum speakers? It was the first amp that I plugged into my Hartke speakers and said, wow. A little boost in the bass and low mids to compensate for cabinet voicing and those 6 Aluminum tens became a tone monster with my L2500. All my bandmates were amazed at how much my sound improved over the HA3500 I was using. Sounds great with my keyboard too.
Why did I wait so long to try this amp?![]()