Angus said:I'd put a $20 down on goncalo still, and would probably give away my Zons if it's zebrawood.
I'd say you're in no danger of losing your Zons, but if it was some magic zebrawood, how many Zons do you have to give away?
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Angus said:I'd put a $20 down on goncalo still, and would probably give away my Zons if it's zebrawood.
The Sonus I just ordered has the J style pickups. Those are my faves too because they are the ones installed in my older Sonus 5 which I really love.So, not trying to start a flame war about pickups. I have a fretless Sonus with J-style pickups which I love, but all of the fretted Sonus basses I am seeing lately have humbuckers. My Warwick thumb has J's, and that is what I am trying to replace, preferably with another lightweight Zon. Can someone enlighten me as to why the Zon basses with frets seem to be carrying humbuckers instead of J's? I am trying to make a buying decision and I cannot seem to find a place with both styles in stock, so it is hard to make a side by side comparison. Thanks in advance for your thoughts.
The same as which, bart or poly?Personally, though, the Polyfusion preamp really doesn't do much for me because I find that I can't tweak the low end in quite the way I want to. The Bartolini isn't my favorite either, but because I'm substantially more familiar with the sound, I tend to prefer that preamp in Zons.
I'm finding the same issue with the Pope preamp.
I think when I get around to it, I will replace the Polyfusion in my Sonus Special with a Sadowsky preamp. The Polyfusion sounds OK, but it is just missing something. I say that after messing with the mid adjust quite a lot to get the circuit about as close as I can to where it needs to be. Still missing something. Pretty sure the Sadowsky will deliver the goods and should make the instrument dead center to what I want from it. YMMVPersonally, though, the Polyfusion preamp really doesn't do much for me because I find that I can't tweak the low end in quite the way I want to. The Bartolini isn't my favorite either, but because I'm substantially more familiar with the sound, I tend to prefer that preamp in Zons.
I'm finding the same issue with the Pope preamp.
I think when I get around to it, I will replace the Polyfusion in my Sonus Special with a Sadowsky preamp. The Polyfusion sounds OK, but it is just missing something. I say that after messing with the mid adjust quite a lot to get the circuit about as close as I can to where it needs to be. Still missing something. Pretty sure the Sadowsky will deliver the goods and should make the instrument dead center to what I want from it. YMMV
Thanks very much. Certainly two different circuit designs. I don't really know which would be better for me, particularly since this is a fretless. The Sadowsky is more or less engineered to produce a tone palette that sits well in a mix. I suspect the East circuit is designed to a wider tonal palette. On a fretted instrument, I would know how to think about it; but, with the fretless, I may need to try both.I've tried the Sadowsky pre in my 4 string (I have it set up with two preamps at all times, so I've swapped them around to test different ones out). It sounded better than the old old Polyfusion the bass had, but was not a significant improvement for my taste.
The preamp I've had the most luck with is a U-Retro. I have it in all of my Zons now- it is just an insane combination with a Zon, and the range of sounds you can get makes tweaking for venue or for a producer's taste very easy. My 6 string can go from dub to upright to ultra modern hi-fi in a few seconds. I'd recommend it to anyone.
Maybe I'm preaching to the choir, but how can a medium sized instrument factory have PERMANENT issues with their suppliers and CONSTANTLY be out of stock parts and still be in business ?