I always point my neck towards the hottest girl, then get to "eye" them both

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Did that for years. Cross eyed is a look.If I didn’t stare at the fingerboard, I’d go back to staring at my microphone when I sing.
Balance. It's about balance. On double bass, you have physical landmarks and tactile reminders of where you are, in addition to your ears. On electric bass -particularly fretless - it's a wide open freeway with few physical landmarks. While you should not STARE at the neck, occasionally you have to look to ensure you make a position shift properly and accurately. Sometimes, if you can't hear yourself on stage, a visual reference is sometimes the only thing you have to go on to guide you as a tactile/visual replacement for being able to hear well. Music can and does involve ALL of the senses at times.
You should know the tunes and your instrument well enough to where you shouldn't have to stare constantly at the neck... but I'm firmly against the absolutist notion that looking at the neck at all makes you a 'bad musician.' The end goal is to be solid, be accurate, and to present the music in the best way possible. If that means sneaking a peek at the neck to do it, so be it.
Sometimes asking for advice given at Talkbass is like John Cusack's character in Say Anything asking for advice on love from the guys hanging around a 7Eleven parking lot.I think you should do it more. In these pictures I posted, the bright blue tuner on my headstock is there as an homage to all of those here who tell me what I should and should not do. I have seen some stellar players breaking all the Talkbass rules so I think it's good to get in front of this and do it as often as possible.
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And some musicians are more extroverted (or introverted) than others. But I do wonder about the seeming ageism in the OP in regards to "old guys."

Crook of the neck is a big one!What sort of landmarks does a double bass have? I've never played one
Hs it gotten any better, since?Here's the old man as a kid staring at his left hand:
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