Its hard to say, if i recall, there was the Concert 2x15, which was smaller, and the 2000s 2x15. Its nearly impossible to tell without dimensions.
There is no such thing as a Sunn Concert 2X15. There are 30 wide (2000S) and 24 wide (200S) full width center ported cabs, the 24" wide twin circular ported Sorado cab and a slew of later model 24 wide side ported 215s; 215S, 215B, etc., as well as some 26 wide folded horn designs.
Price? $150 tops, in MINT condition.
Ive
stolen a few Sunn 215s over the years in that price range, none of them MINT by any stretch of the imagination. How many of these cabs have you bought or sold over the years, where can I pick up these MINT cabs for $150? What are you using for reference, or did you just pull a number out of thin air and post it?
I follow the used gear market in general, the vintage Sunn market avidly, and somehow those $150 "MINT" cabs have escaped me; arent you the same person who offered to help me with old Sunn cab advice a few months ago?
Well, Ill take your help; point me at a MINT Sunn 215 cab for $150, with or without speakers.
Ill even pay you a finders fee.
IMO, the early Sunn 2x15 cabs are worth ALOT more than $150 mint, even without speakers. IME, loaded with two K140's, they sound as good or better than anything offered today.
I agree completely, but the practicality has to factor into the equation.
If think if you have the resources to deal with them they are the way to go, but while the K's are unbelievably sweet sounding and very musical, and sit in a live mix well, they won't take near the abuse of current drivers.
IMO they pair best with tube amps; big, heavy tube amps which brings me to my next point:
The old Sunn cabs move serious air, and would probably survive a nuclear holocaust, but you pay for it in bulk and weight. 2000S cabs in particular are best gigged with assistance, and multiple 2000S cabs practically
require crew help.
You have to be pretty serious to gig an old Sunn rig. The high percentage of touring pro's using monster tube rigs (in particular SVT's) have it made compared to the average novice or semi-pro poster here on talkbass. Not only can they play anything they want, they have people to transport them and factory support if something goes south.
How fast do you imagine Gail Ann Dorsey or Robert Trujillo get Ampeg assistance if they have an crisis on the road? I'm certain they will overnight
anything they need to
anyplace they're at, probably even ship immediately through an expediter if it's a critical situation.
Sunn users don't have that support. Regardless of your stature as a player, you need to be pretty passionate about your tone to put up with the inconveniences.
If even a pro gigs old Sunn rigs they're pretty much on their own on the road.
So...They don't.
