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One with flats and one with rounds ?

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If I have a lot of material to learn in a short period of time, and gigs as well, practicing with flats cam save wear and tear on my f8ngers.
 
I put flats on a bass when I want to frustrate myself by attempting to play a bass that won't get the sound in my head. OK, that wasn't what I set out to do, but it is what happened. So far, in 47 years of playing that has occurred twice, and they got removed very quickly. The most glorious sound to my ears is what a set of rounds gives you - just after I've replaced a set of flats on that bass.

Sean Hurley sounds great playing a P with flats. I'm not Sean Hurley, and his sound is not the one in my head - stubbornly, that sound has been there for all this time, and seems to show no signs of changing.
 
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My minimum arsenal is 4 basses.
One precision with flats, one precision with rounds, one jazz with flats and one jazz with rounds.
Okay, I have an extra precision with Ernie Ball cobalt flats that I consider as an in between flats and rounds sound wise.
I tend to prefer rounds but with my 5 basses, I can play pretty much everything and "adapt" to my band mates and/or music style.
 
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I get enough of the “thud” that flats produce by palm muting my rounds, for my needs.

Unfortunately, using flats only lets me get the “thud;” which doesn’t let me cover the spectrum I use on my gigs. There is no technique to make flats sound like rounds. So, a bass with flats in my stable would go to zero gigs.

It’s an individual choice for each player.
 
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