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I just don't know if we can play at the kind of volume that will keep the neighbours happy. Has anyone got any tips that will stop us looking foolish
Obviously, this is an ongoing issue, so why does the country club still insist on playing outdoors when they have a perfectly good indoor venue that would eliminate the noise complaints. Doesn't make sense to me at all. This is the club's problem, not yours. drool
It also helps keep volume down if nobody in the band drinks any alcohol.
Agreed. I (maybe) could but wouldn't want to.At a country club gig??? You're probably right but I couldn't do that **** sober.
Any chance you could borrow or rent a electronic drum kit?
Agreed. It's not hard to be pro and accommodate your customer. The band needs to do whatever it takes and check their egos and big rigs at the door so you can a) get paid and B) perhaps book again if the money is right.My thoughts are that veteran, seasoned musicians are fully capable of playing at lower volumes. Period. The best drummers I have played with through the years understood when the gig called for "toning it down". '60's Surf-Rock can surely be played are moderate levels.
Consider running only vocals through PA. Plus any "acoustic" instruments you might have. I have played these type of gigs many times through the years, and often wondered why they even booked a band. They wanted to be able to set around and have pleasant conversation during our performance. Somewhat of a drag, but it can be done. The most trouble for me usually goes back to the drummer volume.
If you have a digital board, do a "virtual sound check" out front with the person in charge. (or use a CD of your music). This would establish your working volume, then have the band play at a volume where the stage volume was low enough to not overpower the FOH volume. Again, not that easy, but do-able.
My final suggestion / question is does your band want to get more bookings like this and/or they hoping to get more booking by making contacts there? If so, then everyone needs to get on board to work together to get a great low volume sound. No excuses, just work it out.
My final thought is that even with all your efforts, you may still be considered too loud. Try starting really low, as it is much better to be asked to turn up over being asked repeatedly to turn down.
If it's close to home, can't you and your guitar player stick your smaller amps in a car and bring over so you can turn up AND be quieter?Thanks guys - pretty much what I expected. There was a forlorn hope somebody had a magic solution. We do have access to an electronic kit, so that could be an option. The biggest annoyance is that we pride ourselves on being authentic, and all the usual solutions mess with this. You're all right, of course - it is crazy, but agents rarely ask questions, just take their 15%. Even more annoyingly - this is 8 miles from our base. We NEVER play locally, so even more annoying to get a doorstep one and have it come via an agent. Probably find that the monitors the keys and guitar use will do as the PA too!
I guess I'm missing something, but how is playing 60's surf music at a low volume not authentic?
Well - the music is beach boys if that helps, and while I take the point that we could play very quietly, some songs are just loud, and some can by comparison can be quieter. Sure - we can take our practice amps, but with all due respect to other people's opinions - then we would NOT sound like the Beach Boys. I probably need to qualify that - for some songs it would be fine, but others just have so much in them that the dynamics need a bit more oomph. Things like Good Vibrations that build up and up and up - It would sound pretty insipid if it didn't have the louder sections.
I'm really not sure that some styles of music can be played quietly - and it's got nothing to do with professionalism. I play a few acoustic jazz style gigs - just the singer with a mic. I play a different bass through a small combo and play very gently. This guitar is useless for the Beach Boys - it can't be played in the required style, if played quietly. I'm not talking about mega volume - although I use the 8x10" cab, this is really just so on a festival stage, I can turn it up loud enough for the two guys without IEMs to hear - I'm listening through my in-ears. I can't imagine a quiet Motorhead?
To keep this gig controlled - the drummer will probably play with those strange bunches of thin sticks - can't remember their name, and the Keys will be DI'd and probably not put through his amp. I guess the guitarist and keys will also bring out their little mic stand mounted hotspots - but playing at this level will be the musical version of when dancers mark through a dance. It's clearly not the same sound.
We don't have an option to cancel - it's contracted and that's the end of that - it's just the last minute drop in comment about the volume. Here's a show to do, with one arm tied behind your back. Lots of gigs we play and other bands we work with play can easily be made louder or quieter - BUT - there is a limit. We can go quieter, then perhaps a bit more - but once the backline stop coming through the system, we miss all the contribution the desk makes. In one song the intro has an effect on the snare - a kind of distorted blam sound. It triggers on the transient. No transient, no effect.
It sounds like I'm making excuses - but the people who book bands always make assumptions. Just annoying to make the assumption everyone can turn down. We can, but only to a degree.