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Outdoor gig, evening time, built up area, volume problem.

Obviously, this is an ongoing issue, so why does the country club still insist on playing outdoors when they have a perfectly good indoor venue that would eliminate the noise complaints. Doesn't make sense to me at all. This is the club's problem, not yours. drool
 
Please tell me you guys are into Link Wray. I was in a surf band a long time ago and we would get these kind of gigs occasionally. What you guys should do has already been mentioned.
Really no need to come out swinging for the fences though. Have fun
 
Probably to late for this gig, but consider going direct for future low volume gigs. My old blues band would (and still do after I left) and it opened up many gigs that normally wouldn't have more than acoustic acts. Tech 21 BDDI, Tech 21 flyrig and electronic drums. There are other DI options for guitar and bass, these are just the ones I own. That way everything is heard through the PA/monitors. Want to go even more next level, replace the monitors with in-ears....
 
I just don't know if we can play at the kind of volume that will keep the neighbours happy. Has anyone got any tips that will stop us looking foolish

Volume knobs do work in both directions last time I checked. I've never understood musicians who don't know how to turn down.

Bring/borrow smaller amps so you can cranked tone at lower volume.
 
Obviously, this is an ongoing issue, so why does the country club still insist on playing outdoors when they have a perfectly good indoor venue that would eliminate the noise complaints. Doesn't make sense to me at all. This is the club's problem, not yours. drool

When the club managers tell the band they are too loud, it becomes the bands problem. If the PD suts them down, they will be sent home, probably without full pay, depending on thier contract. The band needs to deal with this up front with the suggestions made in this thread so there is no problem later.
 
My thoughts are that veteran, seasoned musicians are fully capable of playing at lower volumes. Period. The best drummers I have played with through the years understood when the gig called for "toning it down". '60's Surf-Rock can surely be played are moderate levels.

Consider running only vocals through PA. Plus any "acoustic" instruments you might have. I have played these type of gigs many times through the years, and often wondered why they even booked a band. They wanted to be able to set around and have pleasant conversation during our performance. Somewhat of a drag, but it can be done. The most trouble for me usually goes back to the drummer volume.

If you have a digital board, do a "virtual sound check" out front with the person in charge. (or use a CD of your music). This would establish your working volume, then have the band play at a volume where the stage volume was low enough to not overpower the FOH volume. Again, not that easy, but do-able.

My final suggestion / question is does your band want to get more bookings like this and/or they hoping to get more booking by making contacts there? If so, then everyone needs to get on board to work together to get a great low volume sound. No excuses, just work it out.

My final thought is that even with all your efforts, you may still be considered too loud. Try starting really low, as it is much better to be asked to turn up over being asked repeatedly to turn down.
Agreed. It's not hard to be pro and accommodate your customer. The band needs to do whatever it takes and check their egos and big rigs at the door so you can a) get paid and B) perhaps book again if the money is right.
I've played alot of low volume gigs. People have to want to do whatever it takes to do them well.
If the guys in the band can't tone it down to make it happen then they aren't as "PRO" as their egos may be telling them they are.
 
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Thanks guys - pretty much what I expected. There was a forlorn hope somebody had a magic solution. We do have access to an electronic kit, so that could be an option. The biggest annoyance is that we pride ourselves on being authentic, and all the usual solutions mess with this. You're all right, of course - it is crazy, but agents rarely ask questions, just take their 15%. Even more annoyingly - this is 8 miles from our base. We NEVER play locally, so even more annoying to get a doorstep one and have it come via an agent. Probably find that the monitors the keys and guitar use will do as the PA too!
If it's close to home, can't you and your guitar player stick your smaller amps in a car and bring over so you can turn up AND be quieter?
Seems you want "the sound" of an amp turned up - so do it with smaller amps.
Yeah it's nice to just bring the truck, but if it's that close to home aren't you coming from home anyway? Surely you're not all meeting somewhere to get in the truck to drive8 miles.
 
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In my experience it's the drums that cause the problem. If your drummer can't play quietly, the best solution is electronic drums. Drums with a volume knob. Since we've moved to electronic drums everything onstage has gotten quieter and easier to manage and we get asked back to every bar with our band volume being one of our assets.

We have gone to ampless onstage with IEMs for monitors. It's great for us. Once you get electronic drums it opens up all sorts of options for you. Lower stage volume and better PA control along with the option for a silent stage if you want to go that way.

I say electronic drums and a volume knob could make it a great gig that you get asked back to and possibly get more gigs from. Playing loud may get you blacklisted in the area. Is that worth it?
 
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They are paying for a low volume concert, it is your responsibility to deliver it. Technically there is not reason why you cannot play at low volume but if you think that this not fair or your band is not capable of doing it then you should decline and/or recommend another band.
 
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Well - the music is beach boys if that helps, and while I take the point that we could play very quietly, some songs are just loud, and some can by comparison can be quieter. Sure - we can take our practice amps, but with all due respect to other people's opinions - then we would NOT sound like the Beach Boys. I probably need to qualify that - for some songs it would be fine, but others just have so much in them that the dynamics need a bit more oomph. Things like Good Vibrations that build up and up and up - It would sound pretty insipid if it didn't have the louder sections.

I'm really not sure that some styles of music can be played quietly - and it's got nothing to do with professionalism. I play a few acoustic jazz style gigs - just the singer with a mic. I play a different bass through a small combo and play very gently. This guitar is useless for the Beach Boys - it can't be played in the required style, if played quietly. I'm not talking about mega volume - although I use the 8x10" cab, this is really just so on a festival stage, I can turn it up loud enough for the two guys without IEMs to hear - I'm listening through my in-ears. I can't imagine a quiet Motorhead?

To keep this gig controlled - the drummer will probably play with those strange bunches of thin sticks - can't remember their name, and the Keys will be DI'd and probably not put through his amp. I guess the guitarist and keys will also bring out their little mic stand mounted hotspots - but playing at this level will be the musical version of when dancers mark through a dance. It's clearly not the same sound.

We don't have an option to cancel - it's contracted and that's the end of that - it's just the last minute drop in comment about the volume. Here's a show to do, with one arm tied behind your back. Lots of gigs we play and other bands we work with play can easily be made louder or quieter - BUT - there is a limit. We can go quieter, then perhaps a bit more - but once the backline stop coming through the system, we miss all the contribution the desk makes. In one song the intro has an effect on the snare - a kind of distorted blam sound. It triggers on the transient. No transient, no effect.

It sounds like I'm making excuses - but the people who book bands always make assumptions. Just annoying to make the assumption everyone can turn down. We can, but only to a degree.
 
Well - the music is beach boys if that helps, and while I take the point that we could play very quietly, some songs are just loud, and some can by comparison can be quieter. Sure - we can take our practice amps, but with all due respect to other people's opinions - then we would NOT sound like the Beach Boys. I probably need to qualify that - for some songs it would be fine, but others just have so much in them that the dynamics need a bit more oomph. Things like Good Vibrations that build up and up and up - It would sound pretty insipid if it didn't have the louder sections.

I'm really not sure that some styles of music can be played quietly - and it's got nothing to do with professionalism. I play a few acoustic jazz style gigs - just the singer with a mic. I play a different bass through a small combo and play very gently. This guitar is useless for the Beach Boys - it can't be played in the required style, if played quietly. I'm not talking about mega volume - although I use the 8x10" cab, this is really just so on a festival stage, I can turn it up loud enough for the two guys without IEMs to hear - I'm listening through my in-ears. I can't imagine a quiet Motorhead?

To keep this gig controlled - the drummer will probably play with those strange bunches of thin sticks - can't remember their name, and the Keys will be DI'd and probably not put through his amp. I guess the guitarist and keys will also bring out their little mic stand mounted hotspots - but playing at this level will be the musical version of when dancers mark through a dance. It's clearly not the same sound.

We don't have an option to cancel - it's contracted and that's the end of that - it's just the last minute drop in comment about the volume. Here's a show to do, with one arm tied behind your back. Lots of gigs we play and other bands we work with play can easily be made louder or quieter - BUT - there is a limit. We can go quieter, then perhaps a bit more - but once the backline stop coming through the system, we miss all the contribution the desk makes. In one song the intro has an effect on the snare - a kind of distorted blam sound. It triggers on the transient. No transient, no effect.

It sounds like I'm making excuses - but the people who book bands always make assumptions. Just annoying to make the assumption everyone can turn down. We can, but only to a degree.

This post speaks volumes. I see no point in continuing.
 

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