Bob Lee (QSC)
In case you missed it, I work for QSC Audio!
- Jul 3, 2001
- 12,668
- 2,036
- 67
- Disclosures
- Former Technical Communications Developer, QSC Audio
ricplyrz said:Speakers are damaged due to clipping. That means the waveform (usualy a sinewave) turns to squarewave. Hence the term "clipping" as in, the tops of the wave are "clipped" off. Thus turning an alternating signal into a dc voltage basicly.
This "constant" voltage, does not allow proper speaker voice coil cooling. Then you get a fried speaker.
Wrong. Wrong. Wrong. Clipping is not DC.
Bass waveforms are seldom a sine wave, but are actually a combination of many sine waves comprising the fundamental and harmonics. The distribution of these harmonics is what gives a note its timbre--why the same note on a bass, a harpsichord, or a sax will sound drastically different.
Clipping does not create a square wave except in cases of radically excessive gain. In most cases, it results in a signal with flat-topped peaks.
Loudspeakers don't care at all if the signal voltage doesn't change for a millisecond or two. Above the speaker's resonance, the voltage is simply an accelerative force, not a positional one.
Tweeters are the first to go, since they take the least amount of power, then midrange and woofers, as Bill pointed out.
Now in a bass bottom application, where most bottoms use only woofers, (disregarding the tweeters on newer bottoms) if you UNDERDRIVE a speaker with a distorted signal...it WILL fail.
An awful lot of effects pedals introduce distortion, yet they don't inherently endanger the loudspeaker, and they won't cause damage as long as the power to the driver is not excessive.
The harmonics caused by clipping can cause tweeters and midranges (in multi-way systems with passive crossovers) to fail if the power in them exceeds what the drivers can handle. But even with a square wave--as in a severely clipped signal--the fundamental makes up nearly 85% of the power, and the remaining ~15% is in the harmonics. Therefore, the amount of additional power delivered to the mids and/or tweets depends largely on the fundamental frequency of the note, how much clipping is occurring, and the crossover points.
The main destructive element in clipping lies in its deceptive power. An amp rated for X watts with a sine wave on the threshold of clipping will put out >X watts when clipping. In addition, the dynamic range of the signal will be compressed, since the peaks will be chopped off and the softer portions may be much higher than usual. Thus, with the clipped portions exceeding the amp's rated power and the softer portions greatly amplified, the average power in the signal could be much higher than you would think, given the amp's power rating. It could be high enough to damage the loudspeaker.