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P Bass and the Grammys

Which sound would be more manageable or easy to bury in the mix for the sound technicians (producers)?

On stage, and in the studio are two different things. In the studio, nobody sees it like the stage, and there's definitely a variety!
 
I didn't actually see the Grammys, but I feel like the way modern popular music is going fits that P bass sound well. Little bit chunkier sounding then a J, and the fat low end sound seems to be pretty common in music that has come out recently.



True, but there was a diverse amount of genres , yet the P-Bass was played on all--makes me wonder what these bass players know that I don't.
 
There was also a Jack Casady Sig and and the bassist for Taylor Swift (she actually played a song I liked:eek:) had a semi-hollow Epiphone.

I think all the P-basses reflect that current pop is less bass heavy than when funk really dominated. Current music has bass in a more traditional role, so Jazz basses and tabletop boutiques over a clarity that most current pop just doesn't need. That P-bass midrange is what they want.:bassist:
 
There was also a Jack Casady Sig and and the bassist for Taylor Swift (she actually played a song I liked:eek:) had a semi-hollow Epiphone.

I think all the P-basses reflect that current pop is less bass heavy than when funk really dominated. Current music has bass in a more traditional role, so Jazz basses and tabletop boutiques over a clarity that most current pop just doesn't need. That P-bass midrange is what they want.:bassist:

I agree with this.