I am an old school-lover of rounds. Crunch, growl, a little distortion (Geddy, Squire, Tool Sober, Grrrrr!!!) But... For my p-bass, I thought I would try out some flats just cuz my homies wuz diggin' a more straight forward kinda thang. Strung up the p-bass with flats and never looked back. The simplicity of the p-bass lends itself to the in-yo-face punch of flatwounds. No harmonic overtones. No mixed pick-ups or over-analyzed, dual-amp, multi-channel split definitives. Just a pure singular bass note - booooom, next? That's it.
1: Recognizing you have a problem. Most dudes don't even know they're killing me not-so-softly with their clack. What a deal breaker. Bass, song after song, clacking away. Hey, ZZ Top! Clack, Clack, Clack, Clack, Clack, Clack...
B: The "other" knob. I wundur if I can cut der clack by turning the tone knob down? Yup. Now it's subtle, muted, mellow clack. You can barely hear it! I'm less annoyed!
iii. Flatz baby. Pure tone. You might even have to trim the bass on your amp! The P-Bass sings out and sits in the mix more like a friend of the bass drum than an enemy of the guitar. NO mix conflicts. Think Queen or AC/DC.
Admittedly, without a decent amp (at min an ampeg BA115), it tricks you into thinking "boooring." But listen to the whole band, not just your bass. Pure bliss. If you want a "Sweet Child O' Mine" tone, this ain't it. But there is something so special about a p-bass with flat-wounds when you get it right.
First post. Thanks t-bass members for educating and inspiring me over the years!