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Painful Lesson

Last night we played a benefit show at a great venue; I was standing on the same stage that Reel Big Fish played last week. Great foh (purchased from Creed). Top notch sound guy, been working the venue for at least a decade. Should have been a great show. Had my Spector Euro LX4, new sansamp bddi programmable, Demeter vtbp-201s and Hartke Hydrive. During the sound check my bass sounded awful. Checked cables, di, etc. It occurred to me that the battery might be bad, so I swapped it our. No good. The only way I could get a decent sound was to roll back the trim pot on the tone pump. Even then, the bass slowly got quieter during the gig. Luckily the sansamp compensated for it and the sound guy was amazingly helpful and patient. I'm thinking the bass preamp is shot. Just checked it out and the brand new 9v battery shows 5v. What are the chances. Lesson learned, carry several spare batteries and my Fluke multimeter. So happy we got it on video.
 
Our friend Murphy (of Murphy's Law) will make sure that your new battery is defective when it is the most critical time! Never during practice, of course!

Yes, you need to always have more than one spare battery. Even testing before use may not have showed anything - the voltage could read fine when it is not loaded. You need to get a REAL battery tester. They put a load across the battery for testing.

I almost sent an watch off to Seiko for an expensive repair when a new battery didn't revive it. Before shipping, just on a whim, I tried a second battery and voila! it's fine. I have never ever seen a bad coin battery before, but obviously, it can happen.

I also play only passive basses to avoid this kind of problem!
 
I only play Spectors now, so passive isn't an option. This is the first time in twenty plus years it's happened. I thought I was playing with fire by not packing an extra set of strings. Worst part is, I went to install a new battery before I left, but didn't have one; used the last one in my practice bass. I thought I had spares in my gig bag, but just had a pack of AAs. Buying a case of them today.
 
I've done the tongue test too, but the bass starts to break up if the voltage drops to 8v. My solution, I just ordered a dozen Duracells that will live in the case. I also bought a spare set of strings. Of course this means that a battery will never go bad again and I will never break a string, but the best insurance is one you never use.
 
I played an active jazz Plus for years and never had a problem with battery failure while playing. I've been in situations where the battery will start to flag, when that happens just flip it to passive, turn it up, and dial it in on the fly. At the break, change the battery, and it's all GTG. I keep the required screwdriver, a spare battery and a small flashlight in the case for that bass, takes about a minute to change the battery out.

Another thing I learned the hard way. If I'm setting up for the night, I find a socket and plug in all my stomp boxes. Fortunately that's only a tuner, but plugging it in eliminates one more opportunity for failure at an awkward moment.

Something I'm learning as I get more familiar with current amplification equipment, you don't need an active bass with most current amps and cabs. Everything you need is in the head and cab.

The improvements in amp and cab tech since the 80's~90's when I was playing out a lot is huge. Where your typical solid state back then sounded like farts in a bathtub, you needed a refined signal from the bass to get it sweet. These days you can set it all on the amp so all you have to mess with at the bass is volume and still get a killer tone/sound.

When I got back into it a few years back I've wanted a jacked up active standard jazz because my J Plus is such a tone monster with it's pre and I wanted something with that quality plus the all weather capability a standard has that my plus does not. I started with an old amp and a OTB stock MIM J and it sounded OK but I couldn't get that balance between chest punching low and still be able to hear the highs or the other way round, singing on the high end but lacking any haunches on the bottom. Based on my experience, my first thought was I need an active bass because my Plus had made even the crappiest squawk box sound good. I start looking around at pre's and tried several of the current offerings and they are cool but way to complicated. Great tones were possible, but once you moved the knobs away from that great tone, it took an hour to find it again. I also tried several control configs and even a tonestyler, but nothing was blowing my dress up like I wanted it. I was also looking to upgrade my amp(s) and cabs to something more modern and started looking for what I wanted at prices I could afford. I waited till I got decent deals on stuff so the new head and cabs took a while but once I got my current rig together, I quickly learned my stock j basses, both AIM and MIM sounded really good with just little tweaking of the controls on the head. I'm still pursuing an active standard J, but I suspect it's going to only confirm what I've already figured out, my new head renders the need for an active bass obsolete.
 
I played an active jazz Plus for years and never had a problem with battery failure while playing. I've been in situations where the battery will start to flag, when that happens just flip it to passive, turn it up, and dial it in on the fly. At the break, change the battery, and it's all GTG. I keep the required screwdriver, a spare battery and a small flashlight in the case for that bass, takes about a minute to change the battery out.

Sounds like an added, completely unnecessary hassle to me. I've never had an interest in owning an active bass and your anecdote absolutely convinced me to never buy one.

I've already got a limited skill set and other things to worry about when playing. I don't need to add to the list the possibility of the battery in my bass going out.
 
Sounds like an added, completely unnecessary hassle to me.

That's fine. I'm with you, but I was an 'active' guy for many years and can say for sure that I've never had this problem and have about (engage cocktail napkin math) 2 thousand real gigs under my belt in my nearly 30 years of gigging. No longer fulltime pro but still an in demand weekend warrior.
It's really not a 'problem,' with quality gear and minimal maintenance. You change the battery twice a year is all, just like you do with your tuner. It does allow for tones that you can't get any other way. I no longer desire them, personally.