I used to think active was the be-all and end all.
However, after close listening to passive instruments, I fouynd that I really liked the straightforward sound of a passive Jazz. Too many active instruments I tried, even the high-end ones, ended up losing 'something' to my ears (even a nice MTD USA, NYC Sadowsky).
After a while, I really didn't like a Peavey G-Bass I had with the active preamp in - there was an 'unnatural' sound that just wouldn't go, no matter what. So I made it passive, with pleasing results. Of course, it has since been modded further with an active piezo system (purely for buffering purposes)and is strung as a tenor instrument....
I'm changing again though. I bought a 1987 Steinberger XL-2A, and have found it to sound surprisingly 'Jazz'-like. It has a very loud output, and a very clear, upfront sound. It is tremendously sensitive to the brand of strings installed. The active EQ is moderately useful, but so powerful it's easy to overdo. I just use a touch for certain situations. I still mostly change tone by hand position and pickup blend.
I'm undecided currently about the whole issue. I still have at the back of my mind a Jazz bass custom concept with 22 frets, 4 strings, passive pickups and active piezo system to buffer the signal. But recently I have been having thoughts about trying out a John East J-retro...especially as it has many attractive 'passive' features. Could it be the ultimate 'all-in-one' bass that results? Who knows.
I suppose it simply boils down to: does it sound good?
If it does, no matter whether it's active or passive, then you're sorted.
Pete
However, after close listening to passive instruments, I fouynd that I really liked the straightforward sound of a passive Jazz. Too many active instruments I tried, even the high-end ones, ended up losing 'something' to my ears (even a nice MTD USA, NYC Sadowsky).
After a while, I really didn't like a Peavey G-Bass I had with the active preamp in - there was an 'unnatural' sound that just wouldn't go, no matter what. So I made it passive, with pleasing results. Of course, it has since been modded further with an active piezo system (purely for buffering purposes)and is strung as a tenor instrument....
I'm changing again though. I bought a 1987 Steinberger XL-2A, and have found it to sound surprisingly 'Jazz'-like. It has a very loud output, and a very clear, upfront sound. It is tremendously sensitive to the brand of strings installed. The active EQ is moderately useful, but so powerful it's easy to overdo. I just use a touch for certain situations. I still mostly change tone by hand position and pickup blend.
I'm undecided currently about the whole issue. I still have at the back of my mind a Jazz bass custom concept with 22 frets, 4 strings, passive pickups and active piezo system to buffer the signal. But recently I have been having thoughts about trying out a John East J-retro...especially as it has many attractive 'passive' features. Could it be the ultimate 'all-in-one' bass that results? Who knows.
I suppose it simply boils down to: does it sound good?
If it does, no matter whether it's active or passive, then you're sorted.
Pete
