Also, for what it's worth, I looked into patenting a circuit last year. It's not easy at all.
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I'm curious - how would a pedal like the Plimsoul perform in low frequencies (if used with a bass)?
Do you have a number for the redeemer patent, or a search string? I love the redeemer and would like to see how they do it![]()
Good luck suing all the people who clones those pedals! hahahaha! There's no way in hell he'd be able to muscle his way into winning. All you'd have to do is change the name of your pedals to not reflect these circuits. He'd have to have your schematics and prove they are clones to have any kind of case. It's just not likely. It would literally cost them more money to fight people than it'd be worth. Silly bastards.
Also, for what it's worth, I looked into patenting a circuit last year. It's not easy at all.
For the majority of small builders, all it would take is a C/D letter from his lawyers to shut them down. A lot of builders make so little profit to even consider going to court over a pedal clone or clone variant.
-Frank
I was starting to wonder that too. Like how many clones of a specific muff there are. Each one is different, but mostly the same, right?These are highly versatile and customizable circuits, it suffices to change a series of capacitors/resistances to change dramatically the sound of the pedal and generate a new variant (very prone to DIY).
So how far the patent would affect the clones?
It is like putting a patent on the strat guitar, then making a similar one with the headstock changed...
In my opinion, only the original copy of the circuit, including the original components, should be subject to a patent as a part of the stompboxes history. But any declination of the classical version should be free from it.
These are highly versatile and customizable circuits, it suffices to change a series of capacitors/resistances to change dramatically the sound of the pedal and generate a new variant (very prone to DIY).
So how far the patent would affect the clones?
It is like putting a patent on the strat guitar, then making a similar one with the headstock changed...
In my opinion, only the original copy of the circuit, including the original components, should be subject to a patent as a part of the stompboxes history. But any declination of the classical version should be free from it.
The Fulltone OCD is to this day the worst sounding pedal I have ever owned. Glad I returned it, and glad I don't own any of Fulltones's other crappy pedals.
Or you can buy a DIY and have the same thingI'd be a huge fan of this type of pedal. It sucks that its being kept off the market due to silliness.
I appreciate the need to protect your designs but jeez man when a bunch of your products are clones of other peoples stuff sitting on a design you aren't currently selling seems petty
Yes, it is like many classic gear, there are tweaked versions that sounds a bit different or more hi-fi, but the type of sound is essentially the same.I was starting to wonder that too. Like how many clones of a specific muff there are. Each one is different, but mostly the same, right?
Unfortunately, one does not need to be in the right in the US to launch a legal attack on someone. My company has been sued in the US and we had to go to court and get an EASY win, but we still had to do it. Most small builders will not do this and simply give up. You are also not guaranteed damages if a frivolous lawsuit is launched at you. The US does not afford the same protections against frivolous lawsuits as other countries. Add to that that IP lawsuits are often just filed in districts where judgements are usually more favourable for the plaintiffs for various reasons.
This goes back to what I have always advocated. There are so many effects builders. Tons of them are ethical, tones of them are not, whether they rip off other designs without giving the proper credit or try to appropriate other designs. People should use their purchasing power to not encourage these types of builders. No matter how much one of their pedals may entice you.
He "invented" the MXR Distortion+, Univibe, DOD 250, Voodoo Drive, the concept of Tape Echo/Delay, the Octavia, the Wah, etc...![]()
Did he really make those claims?
-Frank
I really liked the Fuzzrocious Demon, which is essentially a tweaked OCD circuit.
I was under the impression that only circuit layouts were patent-able, not necessarily the conceptual circuit itself. That could be way off base, though.