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Well played, sir.Personally, I find it ironic when people whine about people whining about people whining about people whining about slapping.
Yet here I am.
Sounds good = impressive.My problem with slap bass is that the majority of players are slapping root and popping octave, rinsing, and repeating on the other chords. Guess what- that is the same freaking note! There is a chord progression with four chords, and you have slapped and popped a total of four notes, which are all roots! How did you convince yourself that sounds good? It works musically to play all root notes, but it is not very impressive.
How many bass lines are there where the whole thing is slap bass? (Not many). Yet how many demos of amps or pedals are there where the bass player slaps 100% of the video?! Did it ever occur to you people might want to know how it sounds finger style or with a pick?
Man, you're just hating on the critics of whiners!How do we define what is or isn't whining? Is it defined as any statement that's critical of, or contrary to, a specific subject? If that's the case, then I think we're all "whiners" to some degree.
I've never met a person who wasn't critical about something, or who didn't criticize someone for being critical about something. It can easily become an endless, pointless argument.



Move to the double bass, where slap is respected and historically goes back to the early 1900s with early jazz (ie: Pops Foster).
Move to the double bass, where slap is respected and historically goes back to the early 1900s with early jazz (ie: Pops Foster).