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Phenomenon of Smooth Jazz

she shows up on smooth jazz radio. lots of artists have tunes that fit into the genre, however loosely, IME/IMO.

:D look, i'm no expert and i don't attend the events (as a fan)...i just hear it --- sometimes i use that influence in some idea i'm having (a tune or an arrangement) like i would with bebop/swing/rock/funk/blues/whatever.


:roflmao:


:laugh: i can go with that to some extent, it's formulaic like pop, but the improvisational part is a reflection of the jazz tradition, IMO. also, there are lots of great players/musicians in the genre, generally. just sayin'.

edit: i'm in one all-instrumental band and we're often referred to as "smooth jazz" even though we might play a single tune from that 'playlist'. so there's that.
My original songs often get auto-tagged into that category, even though I don't put them there. I don't really know what to call them, so I guess it's ok if the algorithms have a better idea.
 
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what the heck is “Jazz” to begin with?
:wideyed: i can't describe it for you, but i know it when i hear it. :laugh:


My original songs often get auto-tagged into that category, even though I don't put them there. I don't really know what to call them, so I guess it's ok if the algorithms have a better idea.
i'm not surprised --- and i'm guessing my band's music would be "auto-tagged" the same...even though we don't think of ourselves as "smooth jazz."
 
Problem is, IMO, the line between fusion and smooth jazz started to blur a lot in the late 70's, tonally, melodically and stylistically. When I hear "fusion" I think Headhunters or Mahavishnu. Other people hear Yellowjackets or Spyro Gyra. When I hear them, I think 'smooth jazz with ridiculous chops'.
A lot of stuff got blurry then. Fusion hit its stride at that point, so did progressive rock. One rooted primarily in jazz, the other rooted in classical and European traditions. But as soon as the money started pouring in, the powers that be started dumbing down artists to put out there for mass appeal and we ended up with some very different things that sort of resembled what gave rise to them in superficial ways.

As for me, whenever I hear something that really sounds like smooth jazz, my first comment is to do my best fake TV announcer's voice and say "And now... your local forecast." People of a certain age will understand. Actually the folks at the Weather Channel put some pretty good stuff up on occasion.

But smooth jazz is not a genre I listen to, though I appreciate good chops whenever and wherever I hear them. It's just too slick for me.
 
As a fan of trad jazz, lounge music and soul jazz, I’ve got to agree with the point about 80s smooth jazz. I can listen to lounge music and soul jazz for hours, but the smooth jazz from the 80s on just sounds so bland. It’s as if once funk became its own genre, smooth jazz had to erase any trace of soul or funk to position itself as what it is not. Like removing any danceability because that wasn’t smooth enough.

Including some of my favorite library funk or lounge:
 
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There is such a thing as commercial art. Just because people are getting paid doesn't mean it's not art. There's all kinds of art and all kinds of music, and it all has its place... and one is not inherently better than another. Art is communication, one kind of message, genre if you will, is not inherently better than another.

I certainly feel that people should have an opportunity to get paid for their art, commercial or otherwise. While I disagree with the statement that one or another genre cannot be inherently better than another I'm not going to debate what is or is not "true" art. Because that would be silly. These days we're dealing with platforms such as Youtube that profit from content creation without properly compensating the creators. It's a system that awards those who create the most socially conditioned and banal content at the expense of those who are truly being creative. I feel that smooth jazz is just a product and it just my opinion. That's all.
 
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I certainly feel that people should have an opportunity to get paid for their art, commercial or otherwise. While I disagree with the statement that one or another genre cannot be inherently better than another I'm not going to debate what is or is not "true" art. Because that would be silly. These days we're dealing with platforms such as Youtube that profit from content creation without properly compensating the creators. It's a system that awards those who create the most socially conditioned and banal content at the expense of those who are truly being creative. I feel that smooth jazz is just a product and it just my opinion. That's all.

No problem. Different strokes for different folks.

So what makes one genre better than another?
 
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What I hear when someone says that is that they just cannot hear the music or appreciate it.
You realize this is an argumentum ad hominem. Granted, what you're arguing against is also weak. Truth be told there's no strong argument for or against a musical style. Enjoy what you enjoy. Most importantly, play.