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Philosophical question re: compression

Right on!

beavisnbutthead.gif
 
my compressor has become part of my sound. i use a Demeter Opto-comp, which does slightly flavour your tone, but it's smooth and buttery. i picked it up because i had bad technique, and needed something to smooth it out while i worked on my form. i have since gotten much better, and don't really need it. that said, i use it on everything that i do, because i love the way it makes me sound. yes, i have great sounding basses. yes, i have a great sounding rig. but i love the way the compressor interacts with both of them. i play softly enough most of the time that i don't need it, but when i play with my rock band i like to just let loose, knowing that i have a compressor to take up the slack and smooth everything out. when i record, i use the compressor. and even then, before the track is mixed and finished, the producer will put more compression on everything. but that's their deal. i just play.

i don't like compressors as effects. just not for me.
 
It's like everyone's thinking 'note-to-note' or 'pluck-to-pluck'.

(I'll resist temptaion to hit the Caps Lock key...) The hugest thing about what a compressor does (I'm not talkin' 'peak limiter' or some light, almost-there compression; I'm talkin' compression here..) is the 'attack-decay-sustain' properties of EACH NOTE.

I know that if I use a pick by the bridge, or the meat of a thumb up over the neck or whatever, I can 'use technique alone' to adjust this to some extent - but...

I think that one of the big confusions out there is Guitarists and Bassists using OVERDRIVE - wave clipping - to get a certain sustain profile that they're pictuing in their head - when what they're really looking for is the individual note-envelope volume compression that it provides. They don't need the clipping-grit! They just don't get what-it-is that compressors do!

So there -

Joe