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For the same reason James Jameson is in when 90% of the public didn't know who he was. His influence on the songs he has played on. Some of which have of the biggest hits of the last 25+ years.
Why is this important?
Man, Pino isn't even in the same UNIVERSE as Jamerson regarding influence and uniqueness.
If someone like Pino was put in as a sideman, there would be at least another 100 who must be put in with him. No way... good player, but nothing particularly noteworthy compared to dozens and dozens of other wonderful sidemen/women.
there are just so many people who laid the foundation for what bass players do today who need to be recognized.
Probably about half-off topic, but I remember when D'Angelo's Voodoo came out a bunch of guys were carrying on about the great bass playing. I have to admit that even after ten listens to the CD I didn't find that much notable about the note choices, or the tone, and only the timing/groove phrase placement itself of vague interest.
I thought he was doing more interesting stuff back in the MTV heydays.
JimK said:...thank you, 'cause I agree & I thought I was all alone on this.
No. He (allegedly) is in The Who, but I've yet to hear his bass at audible levels when they've performed, so...![]()
Amen. Gets the greatest gig in rock bass- the one where you can really let it fly AND they have Zak Starkey bringing the spirit of Moonie on stage every night- and goes all polite and session guy with it.
I dig Pino, but I LOVE the Who and I miss them having a really driving bass player who could elevate the music.