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Love mine. Ideal for a PJ. Apparently there's a difference between audio faders(traditionally used for pot balance with most of the adjustment happening around the centre notch) and linear faders(used for volume and adjusting evenly). You may know that but it may be something you should keep in mind.Anyone have a blend knob in their PJ? Considering the mod to get master volume control over the “full on PJ” setting...
Thanks! I’ve been looking at MN pots, which I understood to be linear; but maybe that’s not right. Frankly, I had a 3 way switch in my possession; but the bushing was too big and I couldn’t bring myself to alter the pickguard irreversibly on a gamble. So if the blend functions as a switch, that’s ok with me. Blending capabilities would just be a bonus!Love mine. Ideal for a PJ. Apparently there's a difference between audio faders(traditionally used for pot balance with most of the adjustment happening around the centre notch) and linear faders(used for volume and adjusting evenly). You may know that but it may be something you should keep in mind.
Thanks! I’ve been looking at MN pots, which I understood to be linear; but maybe that’s not right. Frankly, I had a 3 way switch in my possession; but the bushing was too big and I couldn’t bring myself to alter the pickguard irreversibly on a gamble. So if the blend functions as a switch, that’s ok with me. Blending capabilities would just be a bonus!
Thanks! That does help. IDK if I’m gonna get too picky about resistance here; more about useable functionality for me.IIRC the MN style is the one preferred by many. I think it's moreso because it allows the pickups to be all one or the other at the extremities. The other version, again IIRC, still have a tiny bit of the "off" pickup still present so you never truly get one or the other. The linear one should provide a fair amount of blend.
To my knowledge the MN provides minimum resistance to the "selected" pickup until you pass over half where it then linearly increases in resistance till the pickup no longer loads the circuit. In other words when you're on one pickup or the other it's not loaded down or sounding weak compared to the other style of blend.
On the other hand you could always find another of and mod that to fit the switch. I prefer this route just to be able to switch textures quickly.
Hope that helps.

Thanks! That does help. IDK if I’m gonna get too picky about resistance here; more about useable functionality for me.
the tones I’m most interested in are P solo, Pj full and maybe 60/40 P/J. But even if the “blend” functions as a switch, that’s ok- still more versatility than my P bass!
It’s got an aftermarket pickguard, and I still have the original too, so there’s some possibility for experimentation there...
And I found this mod for a “no load” blend:
Ultimate No-load Ungrounded Blend Pot (Pics!)
My pair of Sadowsky PJ’s
View attachment 3913366
@Estropijo , get a bass yet?![]()
My goal is not actually blend control, it’s volume control. When I gig with a p bass, I like to leave the volume a little below 10; that gives me the ability to bump the volume if needed, without going to the amp. At home, I can hear when the pickups are balanced; but at a gig I just wanna be able to adjust the volume quickly, with predictable results.In my Aria and Mikro I've two volume knob, same good regulation of blend knob
Hey, I’m generally a P guy, just getting into this PJ thing myself. I tried a Pro P while amp shopping, and just wow! Especially the neck. I’m not surprised you picked that one. Enjoy!Yes! But not a PJ (unfortunately?). After trying a lot of options I tried an American Pro P and the neck feel and balance were just perfect... so I decided to go with it! Supper happy with it so far!
My goal is not actually blend control, it’s volume control. When I gig with a p bass, I like to leave the volume a little below 10; that gives me the ability to bump the volume if needed, without going to the amp. At home, I can hear when the pickups are balanced; but at a gig I just wanna be able to adjust the volume quickly, with predictable results.
Well, I’ve replaced the pots in both my Basses, and never noticed any loss of tone running my P this way. But I know a lot of folks run theirs full on, I see the benefit to the I/O approachThe problem is that in cheap basses knobs, expecially tone, are very very low linear. Decreasing in volume or tone loose a lot of signal informations...I use always volume and tone totally open (or close)
Is it the camera angle, or do all the strings except the A kink off to the right at the nut?Just wanted to add my latest foray into the realm of P/J basses that happens to be the uber cheap variety. ‘Exqusite’ unbranded Glarry closes. First one was supposed to be a reverse P/J which wasn’t.
Later purchased a slightly different model that actually was a reverse P/JView attachment 3982621View attachment 3982622
Both less than $90 shipped. Biggest issue was adjusting height of pups for even sound levels when dimed.
PJ Reverse is better in tones, for PJ apotheose Yamaha BB