Chris Wood is now one of my top five bass players. Great tone. Great groove. And all on a short-scale Hofner. Well, I guess his rig has something to do with it too...
Sorry not all on Hofner, he uses a Pbass alot.
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Chris Wood is now one of my top five bass players. Great tone. Great groove. And all on a short-scale Hofner. Well, I guess his rig has something to do with it too...
Sorry not all on Hofner, he uses a Pbass alot.
Nope, sorry. IF you play jazz obviously you need to use the bass that is specifically labeled for that purpose. Thread Over.

Nope, sorry. IF you play jazz obviously you need to use the bass that is specifically labeled for that purpose. Thread Over.
This one is even better!!!
He plays that Hofner quite often!

You can get pretty close to an upright sound with an Ashbory. But it's fretless and very short scale. Also, you get lots of strange stares when you pull it out.



A Hofner with flats does do justice to the sound, but the neck gauge is so narrow you might find it difficult to play with anything but a pick unless you have very small hands.
A Hofner with flats does do justice to the sound, but the neck gauge is so narrow you might find it difficult to play with anything but a pick unless you have very small hands.
I don't do slapping, popping, tapping, etc, just old-fashioned walkin-style jazz. I would like to play an upright, but at 50 years old, am too stuck in my ways. I play a fretless Fender/Squire VM through a Bass Buddy into a PA.
Anyway, I thought it about time I got a fretted instrument, thought briefly about an acoustic bass for that upright sound, but there are too many negative comments regarding those instruments. I don't really expect an upright sound from anything other than an upright, but something that would get me roughly in that area is what I am looking for.
So, how about the Hofner violin bass? It has a reputation for getting close to the sound I'm after, especially if plucked near the neck. I can only afford the Contemporary Series (Chinese-made, with German pickups). The short scale wouldn't worry me, although sourcing high-quality flatwounds for short scale might be difficult.
Any thoughts?
What a great, full sound.
Yeah, thanks for that video.
Notice where Martin is plucking that bass. Up at the neck. That will contribute a lot to the sound he's getting. That and his technique. I could play up there too and not coax that same sound.
Anyhow, Rob, I'm pretty much in the same boat as you and never considerd a violin bass. But I will now!
Post back and let us know how you make out.
I don't do slapping, popping, tapping, etc, just old-fashioned walkin-style jazz. I would like to play an upright, but at 50 years old, am too stuck in my ways. I play a fretless Fender/Squire VM through a Bass Buddy into a PA.
Anyway, I thought it about time I got a fretted instrument, thought briefly about an acoustic bass for that upright sound, but there are too many negative comments regarding those instruments. I don't really expect an upright sound from anything other than an upright, but something that would get me roughly in that area is what I am looking for.
So, how about the Hofner violin bass? It has a reputation for getting close to the sound I'm after, especially if plucked near the neck. I can only afford the Contemporary Series (Chinese-made, with German pickups). The short scale wouldn't worry me, although sourcing high-quality flatwounds for short scale might be difficult.
Any thoughts?