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Poll: How many different brands/styles of strings do you use?

How many different brands/styles of strings do you use?

  • All the same

    Votes: 80 24.9%
  • My rounds are the same and my flats are the same

    Votes: 48 15.0%
  • Every bass is different

    Votes: 164 51.1%
  • Never really thought about it

    Votes: 7 2.2%
  • Carrots

    Votes: 22 6.9%

  • Total voters
    321
Do you use the same brand on all your basses? Or does each bass 'choose' the string? lol

Pretty much the latter. I'm not particularly interested in replicating the same sound on all/most of my basses, and some instruments seem to naturally sound better with certain strings, than others.

From a practical point, the windings/construction of the strings also matter. On one bass, I had the bridge saddles lowered all the way down, but couldn't get the action quite low enough. Switching to exposed-core strings gave that bass just that little bit nicer/lower action, without having to shim the neck, etc.
 
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Do you use the same brand on all your basses? Or does each bass 'choose' the string? lol
i've chosen the strings. my go-to brands are roto 66 and TI jazz rounds, but i like trying other light-gauge rounds, too, so my collection of axes currently sports at least 4 different brands. i voted "every bass is different." however, at some point, all of them might get a set of TI jazz rounds (or rotos).
 
These days I like Roto 66's for rounds, and Dunlops for flats.

I'm about to test out some Steve Harris Rotos (110-50) on a bass I want to tune to C standard. I've read his strings are crazy stiff so hoping they feel more normal tuned that low.
 
Do you use the same brand on all your basses? Or does each bass 'choose' the string? lol

Yep, I try to let the instruments tell me what they want, but I don't always listen if they're being brats. Same for my preamp and amp designs too. To me the whole point of having different instruments and amps is for them to not be consistent in sound or play feel.
 
Cobalt flats on the StingRay, La Bella nylon flats on the Rob Allen, GHS Precision flats on a Jazz Bass, Fender flats on a P, rounds on the Mensinger Joker B (whatever came on it), TI jazz flats on the other Jazz bass and another P. The other 4 have La Bella DTFs.

Yes, the bass decides.
 
I voted carrots because I have La Bella White Nylon Tapes (both the regular white and gold white versions) on all my basses except my piccolo bass. On that one, I use D'Addario piccolo bass strings.

I used to play Rotosounds (55s, 66s, and 77s) exclusively for 12 years. But I recently switched to the La Bella Tapes and I still wonder why I didn't do it sooner.
 
I used to have 31 bass ukes/mini bass guitars with a variety of strings, but recently due to nerve damage to my neck spinal cord from radiation treatments for cancer long ago, I cut it down to be able to use one type of string, Kala/Galli flatwound with a nylon core.

Bass Collection 8.jpg
 
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  • DR Hi Beams on most basses
  • Slinky's on the Stingrays
  • D'Addario Chromes on the P Bass & fretless basses
  • D'Addario nylons on 5 string fretless
  • Pyramid Gold Flats on the Hofner

I've used GHS Boomers quite a bit recently but I kill the E string pretty quickly for some reason. D'Addario XL an NYXL also but for me they don't last as long as the DR. The DRs seem to stay brighter for longer but that could just be my body chemistry.

I know a guy who can kill the strings dead in one gig, he sweats a lot and his sweat is corrosive. He used my bass once and even the plating on the bridge started to come off, go figure.
 
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I used D'addario XL 45-65-85-105 for many years on all my basses. Lately, I have been trying different Flatwound and I'm really digging the Fender 9050 stainless flatwounds the most. I have also been using Ernie Ball Slinkys and Ernie Ball cobalt strings on my other basses. I also tried a set of Dunlop bright nickels on my G&L Kiloton. At first, I thought they were too rubber band-like but I'm getting used to them now.
 
Always nickel rounds on everything. Depending what's the best deal at the time, either GHS Boomers, D'Adddario XL's, or Fender nickel wounds.

These are generally relatively cheap so I can change them more often. In my time I've tried everything from Black Diamonds to TI's, and without exception they all go dead relatively quickly, so for me I find no real advantage in big dollar strings.

Pretty much exactly my thoughts on the subject, right down to the exact strings in my inventory at this moment.

They last a few months for me, sometimes years, sometimes weeks. Probably depending on what's on my hands when I'm playing. I guess.
 

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