the boss sy signal flow diagram from the manual
each osc can be assigned its own pitch, waveform, volume, filter and sequence.
each osc can be assigned its own pitch, waveform, volume, filter and sequence.
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seems powerful, thought a bit expensive, about twice as much as a HOG2.the boss sy signal flow diagram from the manual
each osc can be assigned its own pitch, waveform, volume, filter and sequence.
interesting! how'd you get to try it? it's officially on sale a week from now.Mod Duo update:
I tried the live iso alpha for the mod duo ...Long story short, it can handle polyphonic pitch shifting on bass.
I had no idea Line6 multi-FX had dual chains. I looked into it and noticed they also have dual send/returns which BOSS does not. What's more, the POD HD500+ MIDI implementation is considerably superior to any BOSS GT multi-FX. So far, the HOG2 is the best poly octave out there and it's fully programmable with MIDI, a lot of stuff could be assigned with the HD500+. Currently, I'm paralleling the HOG2 to my BOSS GT8 via MIDI, flipping through patches on both simultaneously. I assigned the CTL switch to the gliss/hold and the EXP to the whammy up for an additional two octaves up. There are 4 outputs coming from the board:i once made a patch on the pod HD for a pog type of vibe. The HD series can run two signal paths and has a virtual mixer so you can for example split the signal put a pitchglide i think it was called (looks like a whammy 4 on pod hD edit) on one side and a bass octave (sim of an ebs octave) on the other side, then using the virtual mixer I combined them back to mono and had 3 octaves going. It really wasn't a very usable thing though. I ended up putting some delay and reverb on it and it was cool for swells but that was about it.
Thanks! it's a HOG2. the former doesn't support MIDI or CC patches.Dude, that is badass! Is that done with the Hog?