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Poping noise through amp when hitting hard lows

This has probably been covered before in other threads but I'm hoping someone can help me......I recently down tuned my Yamaha TBRX174EW (4 string w/ P/J pickups) to drop C (CGCf) with heavier strings (.125, .105, .085 .065), did a new set up (truss, action, intonation, ect) and it plays like a beast now......when playing through my Carvin Pro Bass 150 combo amp (15" speaker) with pick or fingers if I hit a hard low note I am getting a LOUD "POP" through the speaker randomly and the sound cuts out briefly....doesn't do it as much when finger picking or if I plug my PRS Kingfisher (standard tuning) in...…..could this be a pickup issue (to close to the heavier strings) or could this be an amp issue and time to upgrade to a better amp/cab?
 
I actually raised the action from 3.5mm on the low string to 4.0mm.....I didnt do any adjustments on the pups....if I'm understanding you guys I should lower my pups...they are exposed mags and I have them set at the stock 3mm
 
Commercial bass guitar cabinets (and combos) don't really go all the way down to low E. Often, you can get away with that, but pushing it to low C, and....overexcursion is the likely result. That's what the POP probably is.
 
Thanks for all the info guys...I lowered the pups 1/2 turn on the low side....using a lighter pick and lowered some of the settings on my eq and some of the "pop" is gone..... the wife will only let me run the vol less than 3 when at home so mabey the amp is just a bit weak to hit those low tones....presently looking at either an acoustic, gk or ampeg head and cab set.......
 
Thanks for all the info guys...I lowered the pups 1/2 turn on the low side....using a lighter pick and lowered some of the settings on my eq and some of the "pop" is gone..... the wife will only let me run the vol less than 3 when at home so mabey the amp is just a bit weak to hit those low tones....presently looking at either an acoustic, gk or ampeg head and cab set.......
HPF will help if it's the speaker.

ok, must of all players think about the Fundamental and 1st Overtone if they do considerations about strain of the loudspeaker.
In real practice we can see kinda "transient noise" which comes (naturally) along with any playing of any stringed intrument.

Roughly it can be predicted this way, if tuning of the instrument goes down then transient noise takes more part at the lowish side of the spectrum and, this "nasty" frequency content easily underruns the lowest tuning of the instrument itself if the loudspeaker was not protected by a HPF.

You may play a droped C on the intrument but the (naturally) accomponied transient noise generates sub harmonic content which is way below in number (frequency) than the Fundamental of droped C
 
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ok, must of all players think about the Fundamental and 1st Overtone if they do considerations about strain of the loudspeaker.
In real practice we can see kinda "transient noise" which comes (naturally) along with any playing of any string intrument.

Roughly it can be predicted this way, if tuning of the instrument goes down then transient noise takes more part at the lowish side of the spectrum and, this "nasty" frequency content easily underruns the lowest tuning of the instrument itself if the loudspeaker was not protected by a HPF.

You may play a droped C on the intrument but the (naturally) accomponied transient noise generates sub harmonic content which is way below in number (frequency) than the Fundamental of droped C
Makes sense
 
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