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Precision pickup help

Which pickup

  • Seymour Duncan Antiquity II

    Votes: 10 18.5%
  • Jason Lollar

    Votes: 9 16.7%
  • Lindy Fralin

    Votes: 14 25.9%
  • A big fat piece of lard

    Votes: 21 38.9%

  • Total voters
    54
I went with the SD antiquity II,
Its got a great low end, more than the Fralin i think, its really gritty/ grindy to...
Its really thick and meaty with the tone rolled off and has good high end with the tone open without being to clangy.

Now i dont know how it compares to the other ones you mentioned. I went with the SD mainly because it had a thicker low end and was visually more vintage correct, came with the grounding plate etc..

Does it come closer to that clip's tone?
 
Does it come closer to that clip's tone?

well just after i saw your previous post i had a little play along and honestly with Chromes 45 100 and the tone closed a bit less than half i come pretty damn close!

Tried a bit more, and i get really close enough to say its the same...

P bass with chromes 45 100, SD antiquity II going straight into my walkabout scout with extension, EQ pretty flat and tone between quarter closed and half closed and i really get the same tone...
 
sorry to bust yon bubbles but pickups do not produce sound; they process it.
It's far easier to find tone in strings than copper windings.

No, they reproduce the tone of the bass. Pickups can be a faithful recreation of the acoustic tone of the bass, or they can be a Gibson EB-0 pickup that gives you nothing but mud. Why does a P bass sound different from a J? The pickups.

If pickups had no tone of their own, no one would buy replacement pickups, since they all sound the same. Right?

Without pickups your solid body bass wouldn't make too much sound. So the pickups are producing the tone you hear through the amp. The bass, strings and amp also play a roll.

But P basses are not all that dark sounding. They sound dark on old recordings because that was the tone people wanted, and the amps back then were very limited in frequency response.

Here's the real sound of some famous Motown tracks isolated.

Link Removed

Pretty clangy, and with flats no less. Of course some have foam mutes too, and dead strings. Once they are in the mix, you don't hear the treble so much, but it makes the tone more percussive and it stands out in the mix better.

If you want a fat tone, don't use a P, use some kind of soapbar. Humbuckers (not the MM type) are fatter.
 
Dimarzio model P would be my choice for darker tone and higher output. But still vintage sound. Well, theyve where used by lotsa touring pros during the 70's. So thats pretty vintage imo. Lol. Theyre clank when present is warmer then stock fender of the era to imo.