Thank you for this explanation. It's interesting to note how we all relate to tone woods.
It's also oh so true that most tone wood elements get lost in the mix. I am happy to be able to hear myself so when it comes to hearing the tonal differences between woods in a live mix, it's a bit far fetched!
I have been experimenting with various wood combinations and I stumbled into something different when I started using walnut. My current build is a body made of a single piece of walnut, not two or three pieces glued together. I did French Polishing with shellac as a finish. I wanted something relatively thin, non toxic and that would let the wood express it's character. The first thing I noted about walnut is not so much the tone but how it cuts in the mix. Instead of sitting in the mix, it sits on the top of the mix. It kind of takes over even at moderate volume. I had not experienced that with any other wood. The wood is noted for doing that but it's amazing to experience it.
Then I tried a maple neck with rosewood and a full maple neck. Again I could hear some serious differences. The maple fret board carrying more highs, being more growly, more throaty, articulate. The rosewood fretboard was more wooly and warm with more bass. Strings and pickup were exactly the same. I just changed the neck. Both necks are made by Fender and have the exact same dimensions. I had not done this test before and was surprised by the outcome.
Out of the two, I think the maple fretboard is a better combination with the walnut but the instrument sounds great either way. I am interested in testing ebony and Pau Ferro fretboards next.
It's also oh so true that most tone wood elements get lost in the mix. I am happy to be able to hear myself so when it comes to hearing the tonal differences between woods in a live mix, it's a bit far fetched!
I have been experimenting with various wood combinations and I stumbled into something different when I started using walnut. My current build is a body made of a single piece of walnut, not two or three pieces glued together. I did French Polishing with shellac as a finish. I wanted something relatively thin, non toxic and that would let the wood express it's character. The first thing I noted about walnut is not so much the tone but how it cuts in the mix. Instead of sitting in the mix, it sits on the top of the mix. It kind of takes over even at moderate volume. I had not experienced that with any other wood. The wood is noted for doing that but it's amazing to experience it.
Then I tried a maple neck with rosewood and a full maple neck. Again I could hear some serious differences. The maple fret board carrying more highs, being more growly, more throaty, articulate. The rosewood fretboard was more wooly and warm with more bass. Strings and pickup were exactly the same. I just changed the neck. Both necks are made by Fender and have the exact same dimensions. I had not done this test before and was surprised by the outcome.
Out of the two, I think the maple fretboard is a better combination with the walnut but the instrument sounds great either way. I am interested in testing ebony and Pau Ferro fretboards next.