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You're funny! I'm asking for a bass buddy who is not happy with his tone.Your Nash PB-63[or Fender P] with your Tonehammer 350 and SL 112 [tweeter off]![]()
I agree. He's using a MarkBass Nanomark 300 with a traveler 2x10" cab. I told him to cut some low mids and maybe upper mids to a lesser degree. Add some bass boost. He has a very nice NASH P bass as well as a J bass.One of my bands solidly fits that category. I've played everything from an active jazz to a vintage p thru cabs w 10s or 12s. It honestly doesn't matter. Your tone knobs (and your fingers) are your friend!![]()
Maybe a pedal as opposed to new rig?I agree. He's using a MarkBass Nanomark 300 with a traveler 2x10" cab. I told him to cut some low mids and maybe upper mids to a lesser degree. Add some bass boost. He has a very nice NASH P bass as well as a J bass.
Maybe an Ampeg SGT or Aggie Tonehammer pedal. He has a Sadowsky preamp which will definitely fatten up low end but not really gritty.Maybe a pedal as opposed to new rig?
Lots of 'Vintage' orientated types out there along with IR types
But yes tone needed may be in his present rig and hands/fingers
Dude, Nash P all day. That bass has the best P sound. At the end of the day, in the mix, most folks can't tell the difference anyway (or they don't care… lol). But you gave good advice, I think.I agree. He's using a MarkBass Nanomark 300 with a traveler 2x10" cab. I told him to cut some low mids and maybe upper mids to a lesser degree. Add some bass boost. He has a very nice NASH P bass as well as a J bass.
Yep, as @tb-player said, turn the knobs and some of it is in your hands.I watched the Chicago blues festival this year on YouTube. All players were top notch blues bassists. The majority were playing a 5 string Jazz bass variant, passive of active into the back line amp, ether a GK head and cabinet or an SVT. They all sounded great.
I agree!Dude, Nash P all day. That bass has the best P sound. At the end of the day, in the mix, most folks can't tell the difference anyway (or they don't care… lol). But you gave good advice, I think.
The older I get, the more of a bass nihilist I become. Nothing gear-related really matters to anyone except for us.![]()
Interesting combo and I dig that Olinto!Olinto 5 string PJ with TI Flats Ashdown CTM200R and Bergantino NXV212. Sometimes I add a Sonic Farm tube DI
Starting with a Head, I think the Mesa WD-800 is one of the most versatile amps I've ever owned. You'r own your own fifing your choice of cab(s). personally I use an Eden D-210-XST which is also a very versatile very efficient cab with great low end extension. If they were still in business, I would highly recommend it, and they are pretty heavy by today's standards. But this combination with the WD-800 rocks.If Blues and/or Americana is your gig, what rig do you use or suggest?
Yes, I thought of the WD-800 but he doesn't want to spend the $$$.Starting with a Head, I think the Mesa WD-800 is one of the most versatile amps I've ever owned. You'r own your own fifing your choice of cab(s). personally I use an Eden D-210-XST which is also a very versatile very efficient cab with great low end extension. If they were still in business, I would highly recommend it, and they are pretty heavy by today's standards. But this combination with the WD-800 rocks.