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R your Drop tuning guitards blowing speakers... yet?

Pretty sure my small combo speaker succumbed to the metal kid's drop D or lower tuning at near max volumes.... which brings me to my observations while providing roadie services to the new guitarist in his band.

Seems the discussion continues to center on the new 7 string Ibanez guitars both players are using in drop B or drop A tuning and their experimentation or desire to get the 8 string (Deftones, etc.) The 8 string puts them right down to the F#0 - and of course, there's talk of just restringing the 7s down. (its the current teenage death metal fad)

We all know how hard our bass speakers have to work around the bottom, what do you think the Marshall 1/2 stacks (and all the want-a-be's) are gonna look like with tones in the 50 Hz range blowing through? Speaker damage anyone?
 
Don't bother. Just play in E standard, F# standard, or an up tuned "drop" F# to match them. Use your mids to smash their guitar tone to pieces. Two pickup basses work great as a tonal supplement. P basses stand on their own, especially under overdrive. They sound huge.
 
Guitar speakers are a unique animal. They fundamentally different to bass speakers where high xmax (available suspension travel before distortion) is preferred and Xmech (available suspension travel before the speaker is physically damaged) is roughly double xmax.

Guitar speakers are designed for lower xmax for earlier onset of distortion (you will hear guitarists talking about cone breakup for hours on end like it is God), but Xmech figures are similar to the bass speakers. That gives them a LOT more margin for error than we get.
 
Pretty sure my small combo speaker succumbed to the metal kid's drop D or lower tuning at near max volumes.... which brings me to my observations while providing roadie services to the new guitarist in his band.

Seems the discussion continues to center on the new 7 string Ibanez guitars both players are using in drop B or drop A tuning and their experimentation or desire to get the 8 string (Deftones, etc.) The 8 string puts them right down to the F#0 - and of course, there's talk of just restringing the 7s down. (its the current teenage death metal fad)

We all know how hard our bass speakers have to work around the bottom, what do you think the Marshall 1/2 stacks (and all the want-a-be's) are gonna look like with tones in the 50 Hz range blowing through? Speaker damage anyone?

F#0 Is the bass guitar equivalent i.e. ~20hz, .200 gauge strings. F#1 is guitars.

I dont know why everyone thinks lower tuning=more bottom end. When Im recording I use the same low-end cutoff on guitars at standard E and guitars at drop G.