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rack compressors

mactac said:
yes, i mean stereo mixes... that's what it was designed for.

I have to disagree. If it were designed for compression of stereo mixes, then why is it a mono compressor? Surely if this was its intended purpose, it would be a stereo compressor?

Or do you run your left channel into 1 unit and right channel into a completely seperate one?
 
are we talking about the same compressor? or do you even have one ...? I hope you're not providing opinions on something you don't even have :)

it's stereo. it has left & right inputs.... and i quote :

"The Really Nice Compressor (RNC) is a compact, affordable stereo compressor with a hi-fi audio path and compression scheme. "




avast_bass said:
I have to disagree. If it were designed for compression of stereo mixes, then why is it a mono compressor? Surely if this was its intended purpose, it would be a stereo compressor?

Or do you run your left channel into 1 unit and right channel into a completely seperate one?
 
mactac said:
are we talking about the same compressor? or do you even have one ...? I hope you're not providing opinions on something you don't even have :)

it's stereo. it has left & right inputs.... and i quote :

"The Really Nice Compressor (RNC) is a compact, affordable stereo compressor with a hi-fi audio path and compression scheme. "

....:hiding:

so i withdraw my claims that it is not a stereo compressor. Pardon me...

I stand by the fact that it is a good compressor for bass in a recording environment, IMO, for the $200 price tag however.

My apoligies again.

EDIT - i feel an extra edit is necessary here to admit defeat and explain i feel sufficiently stupid.




...damn
 
hahahaha.... oh dear.

*cough* i hate when that happens....

I hereby declare that my first post should read - the RNC is a great compressor in a studio environment, for bass guitar included. The release time of the unit means it has some shortfalls when playing bass directly through it live, but it IS a great unit for $200-ish. It recently slipped from my mind that the rear panel infact includes both L + R inputs and so can be used very effectively on stereo sources.


What I SHOULD say however is.... sorry, dont listen to me, i r idjot.
 
My studio has an ART Pro VLA. It's pretty schmancy stuff, with VU meters and a tube output section (I think).
It's very subtle, which could be a pro or a con, depending on what you're looking for.

Also, it's probably a bit fragile to be going on the road with. And it's fairly heavy, and takes up 2RU of space.

Definitely a nice tool for the studio though.
 
im basing my experience on using it as a mono compressor for 4 weeks of album tracking using it to compress a mic'd bass track. I have also used them with vocals, guitars and drums and whilst they dont offer the quality of say an 1176, for $200 they ARE great units. I don't own one but have used one for what i'd call a reasonable enough length of time to form an opinion on it. Pardon me if i didnt remove the unit from its rack and study the rear panel at the time, i admitted I was wrong about its stereo compression capabilities.
 
MarkMyWordsXx said:
who plays with a compressor, rack or otherwise? which one, and how much was it/is it?

im in the market for one and id like to get a dbx 160a but its like $300 and im not suer its necessary

Ashly CL50E for me (early 90s mono model). It does what it does without coloring up the chain. Built like a tank.

Generally run about $100 on eBay.... if you watch and wait, the bargans show up. My current one was $21 plus shipping