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Double Bass Recommendations of Free Jazz

Of course you can listen to others for inspiration - but the point is that you shouldn't do what somebody else did - it should be completely improvised with no prior collusion or preconception.

If you are playing in the style of somebody else - then it's not "Free Jazz". :eyebrow:

As soon as you play something recognisable , then you aren't playing "Free"... ?

+1
 
I am a big fan of Free Jazz and love the vast majority of what I have heard and the players I have met/seen play in the UK - but to be honest, your attitude in this thread is putting me off and if you play like you come across here, then I am not sure I would want to be involved. :hmm:
 
I am a big fan of Free Jazz and love the vast majority of what I have heard and the players I have met/seen play in the UK - but to be honest, your attitude in this thread is putting me off and if you play like you come across here, then I am not sure I would want to be involved. :hmm:

Well, dedicating your life to this music is clearly difficult, but not in the ways you would think. It is possible to work in the music, possible to tour and record, etc.
The difficulties lie in dealing with all these mis-conceptions.

I do love the UK scene, but there never seems to be any money there for people like me - Braxton and Cecil Taylor can get some funded gigs. So I tend to stick to Germany, Austria, Belgium, Sicily, Slovenia, Etc. The point being you won't have to worry about me getting over there!
 
yeah, they're both great. The best Tony Marsh I ever heard was definitely live though, in trio with Evan parker and John Edwards. They played every mnth at the Vortex for years, and when I first moved to London I hardly missed a month in about 3 years.

Playing with Tony and Paul Dunmall was a real highlight too!