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Eh. I'm at a computer all day at work...without halfway decent speakers. Probably not going to head home and sit in front of my studio monitors after being a computer zombie all day.Besides, I'm pretty sure that everyone so far has said the same thing.

You sure do post a lot for a zombie... Just sayin'
Plus it's nice to hear you admit that your opinion carries no value![]()
Come on, play the game!![]()

Just added a fourth mystery clip on the original post.
Here is the two DI's with a Geddy Lee Jazz
Seriously, I won't hear anything on the speakers I have on my desk. The roll off probably around 150hz. Besides, sitting at a computer makes it easy to post, especially with a dual monitor setup and privacy screens. I can make it up though. I hear that clip 3 has more deep lows and is a bit scooped with some nice brightness on top. That's probably the P15. The REDDI is clip one, and the control is clip two. Did I get it right?
Besides, I'll take the Monique.![]()
You do know I'm leaning on you because you have experience with a Monique and would actually like to hear your thoughts on this, right?
The springy sound everyone hears from the first samples sounds like aliasing, and not the result of mp3 compression or whatever soundcloud uses, but badly done sample rate reduction before the encoding. If you uploaded 48 kHz, 88.2 kHz, or 96 kHz files, and soundcloud outputs 44.1 kHz, that means they didn't filter above the nyquist frequency (in this case, brick wall LPF @22050 Hz) before sample rate conversion. That should be automatic in any correctly designed sample rate conversion software.
If my guess is correct, you uploaded 44.1 kHz files for the more recent post, because they sound much better. If I'm wrong, I'm VERY interested to know how this happened.
(looking forward to listening on good equipment later)
I have a Broughton P15 I'm considering selling to get version 1.1